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Structure, audience and soft power in East Asian pop culture

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Structure, audience and soft power in East Asian pop culture/ Chua Beng Huat.
Author:	Chua, Beng Huat.
Published:	Hong Kong, China :Hong Kong University Press, : c2012,
Description:	1 online resource (xiii, 183 p.).
Notes:	Issued as part of UPCC book collections on Project MUSE.
Subject:	Chinese - Intellectual life - 21st century. - Foreign countries -
Online resource:	Full text available:
ISBN:	9789882208759 (electronic bk.)

Structure, audience and soft power in East Asian pop culture
Chua, Beng Huat.

Structure, audience and soft power in East Asian pop culture[electronic resource] /Chua Beng Huat. - Hong Kong, China :Hong Kong University Press,c2012 - 1 online resource (xiii, 183 p.). - TransAsia : screen cultures. - TransAsia : screen cultures..

Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references (p. [165]-176) and index.

Preface -- Introduction -- 1. East Asian pop culture : mapping the contours -- 2. Pop cultureChina -- 3. Taiwan's present/Singapore's pastmediated by the Hokkien language -- 4. Placing Singapore in East Asianpop culture -- 5. The structure of identification and distancing in watching East Asian television drama -- 6. Layers of audience communities-- 7. Pop culture as soft power -- Conclusion -- Notes -- References -- Index.

East Asian pop culture can be seen as an integrated cultural economyemerging from the rise ofJapanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locusof pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences' formation and exercise of consumer power and engagement with national politics.

ISBN: 9789882208759 (electronic bk.)Subjects--Topical Terms:

960746
Chinese
--Intellectual life--Foreign countries--21st century.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: DS509.3 / C48 2012

Dewey Class. No.: 306.095

Structure, audience and soft power in East Asian pop culture
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300 $a 1 online resource (xiii, 183 p.).
490 1 $a TransAsia : screen cultures
500 $a Issued as part of UPCC book collections on Project MUSE.
504 $a Includes bibliographical references (p. [165]-176) and index.
505 0 $a Preface -- Introduction -- 1. East Asian pop culture : mapping the contours -- 2. Pop cultureChina -- 3. Taiwan's present/Singapore's pastmediated by the Hokkien language -- 4. Placing Singapore in East Asianpop culture -- 5. The structure of identification and distancing in watching East Asian television drama -- 6. Layers of audience communities-- 7. Pop culture as soft power -- Conclusion -- Notes -- References -- Index.
520 $a East Asian pop culture can be seen as an integrated cultural economyemerging from the rise ofJapanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locusof pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences' formation and exercise of consumer power and engagement with national politics.
588 $a Description based on print version record. $a Description based on print version record.
588 $a Description based on print version record.
650 0 $a Chinese $z Foreign countries $x Intellectual life $y 21st century. $3 960746
650 0 $a Chinese $z Foreign countries $x Social life and customs $y 21st century. $3 960747
650 0 $a Culture diffusion $z East Asia. $3 960748
650 0 $a Popular culture $z Singapore. $3 960749
650 0 $a Consumption (Economics) $z East Asia. $3 960750
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650 0 $a Politics and culture $z East Asia. $3 960752
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