國立虎尾科技大學 |

Confronting modernity in the cinemas of Taiwan and Mainland China /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Confronting modernity in the cinemas of Taiwan and Mainland China // Tonglin Lu.
remainder title:	Confronting Modernity in the Cinemas of Taiwan & Mainland China
Author:	Lu, Tonglin,
Description:	1 online resource (x, 246 pages) :digital, PDF file(s). :
Notes:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:	Motion pictures - History. - Taiwan -
Online resource:	https://doi.org/10.1017/CBO9780511549663
ISBN:	9780511549663 (ebook)

Confronting modernity in the cinemas of Taiwan and Mainland China /
Lu, Tonglin,

Confronting modernity in the cinemas of Taiwan and Mainland China /Confronting Modernity in the Cinemas of Taiwan & Mainland ChinaTonglin Lu. - 1 online resource (x, 246 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

On the Cultural and Ideological Margins --

This book is a cultural study of New Wave cinema that considers the experience of modernity and modernization in Taiwan and mainland China. While following separate paths, Taiwan and China have rapidly modernized, economically and culturally, since 1949. Despite differences in the political, social and economic systems of these countries, the process of modernization in both have challenged traditional cultural norms. Tonglin Lu examines how differences in cultural formation between Taiwan and China have influenced reactions to modernity and how cultural identity has taken different forms on both sides of the Taiwan straits. She illustrates how these differences in the experience of modernity are expressed through analysis of paradigmatic films produced in both countries, with a particular emphasis on their formal experiments.

ISBN: 9780511549663 (ebook)Subjects--Topical Terms:

799045
Motion pictures
--History.--Taiwan

LC Class. No.: PN1993.5.T28 / L828 2002

Dewey Class. No.: 791.43/095124/9

Confronting modernity in the cinemas of Taiwan and Mainland China /
LDR:02399nam a22003258i 4500 001 1124334
003 UkCbUP
005 20151005020622.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 240926s2002||||enk o ||1 0|eng|d
020 $a 9780511549663 (ebook)
020 $z 9780521806770 (hardback)
020 $z 9780521037273 (paperback)
035 $a CR9780511549663
040 $a UkCbUP $b eng $e rda $c UkCbUP
043 $a a-ch--- $a a-cc---
050 0 0 $a PN1993.5.T28 $b L828 2002
082 0 0 $a 791.43/095124/9 $2 21
100 1 $a Lu, Tonglin, $e author. $3 1441798
245 1 0 $a Confronting modernity in the cinemas of Taiwan and Mainland China / $c Tonglin Lu.
246 3 $a Confronting Modernity in the Cinemas of Taiwan & Mainland China
264 1 $a Cambridge : $b Cambridge University Press, $c 2002.
300 $a 1 online resource (x, 246 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 0 $t On the Cultural and Ideological Margins -- $t Continuity and Subversion -- $t Allegorical and Realistic Portrayals of the Cultural Revolution -- $t In Search of Tradition in the Midst of Modernization -- $t From a Voiceless Father to a Father's Voice -- $t Melodrama of the City -- $t The Third-World Intellectual in the Era of Globalization -- $t The Zhang Yimou Model -- $t Culture and Violence -- $t A Postcolonial Reflection.
520 $a This book is a cultural study of New Wave cinema that considers the experience of modernity and modernization in Taiwan and mainland China. While following separate paths, Taiwan and China have rapidly modernized, economically and culturally, since 1949. Despite differences in the political, social and economic systems of these countries, the process of modernization in both have challenged traditional cultural norms. Tonglin Lu examines how differences in cultural formation between Taiwan and China have influenced reactions to modernity and how cultural identity has taken different forms on both sides of the Taiwan straits. She illustrates how these differences in the experience of modernity are expressed through analysis of paradigmatic films produced in both countries, with a particular emphasis on their formal experiments.
650 0 $a Motion pictures $z Taiwan $x History. $3 799045
650 0 $a Motion pictures $z China $x History. $3 647535
776 0 8 $i Print version: $z 9780521806770
856 4 0 $u https://doi.org/10.1017/CBO9780511549663