國立虎尾科技大學 |

The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi".

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi"./
作者:	Burkus, Anne Gail.
面頁冊數:	1 online resource (719 pages)
附註:	Source: Dissertations Abstracts International, Volume: 50-05, Section: A.
Contained By:	Dissertations Abstracts International50-05A.
標題:	Biographies. -
電子資源:	click for full text (PQDT)
ISBN:	9798206707410

The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi".
Burkus, Anne Gail.

The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi". - 1 online resource (719 pages)

Source: Dissertations Abstracts International, Volume: 50-05, Section: A.

Thesis (Ph.D.)--University of California, Berkeley, 1987.

Includes bibliographical references

Many accounts of the life of Ch'en Hung-shou are recorded in historical documents and art texts that pertain to the late Ming period. He was an exceptional painter who disregarded canons both of subject matter and of style to which most of his contemporaries adhered. By happenstance, moreover, he witnessed the fall of the Ming government and was inevitably embroiled with the Manchu conquerers of China. My focus in the dissertation will be a biographical one; my starting-point will be Ch'en Hung-shou's writings, especially the poems and essays that were recorded in the posthumous collection of his literary works Pao-lun-t'ang chi (Collected writings from Hall for the Cherishment of Silken Cords). Traditional Chinese accounts of Ch'en Hung-shou's biography sought to narrate his life in accordance with the exemplary patterns that had been perceived in the lives of artists known from the past. Presentation of his experience after the Manchu conquest as an i-min, or "left-over subject," also followed certain literary precedents. The three principal biographies of Ch'en Hung-shou that were written in the early K'ang-hsi period have had a significant influence, even into the twentieth century, on the way historians have recounted his life. Although the vivid narration of these texts by Chu I-tsun, Mao Ch'i-ling, and Meng Yuan can persuade the reader of their veracity and knowledge of Ch'en Hung-shou, more often than not they evidence considerable authorial manipulation, so much so that they cannot be accepted as the straightforward historical documents they might appear to be. K'ang-hsi period views of Ch'en Hung-shou tended to exaggerate the painter's loyalty to the Ming. My interpretive scheme will depend in part upon Pao-lun-t'ang chi as a repository of slighted or little known facts about the painter's life. My purpose, however, is not simply to write a literary biography. Although Pao-lun-t'ang chi contains a great number of confessional writings and poetic complaints, the most private of these texts can be shown to convey as well the form of a public self. Indeed, Ch'en Hung-shou presents himself in a variety of ways in his poetry, accommodating his presentation to the codes of behavior to which he adhered in different periods of his life. (Abstract shortened with permission of author.).

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798206707410Subjects--Topical Terms:

1184344
Biographies.
Subjects--Index Terms:

Ch'en Hung-shou Pao-lun-t'ang chiIndex Terms--Genre/Form:

554714
Electronic books.

The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi".
LDR:03674ntm a22003737 4500 001 1142343
005 20240416125356.5
006 m o d
007 cr mn ---uuuuu
008 250605s1987 xx obm 000 0 eng d
020 $a 9798206707410
035 $a (MiAaPQ)AAI8813808
035 $a AAI8813808
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Burkus, Anne Gail. $3 1466624
245 1 4 $a The artefacts of biography in Ch'en Hung-shou's "Pao-lun-t'ang chi".
264 0 $c 1987
300 $a 1 online resource (719 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 50-05, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Cahill, James.
502 $a Thesis (Ph.D.)--University of California, Berkeley, 1987.
504 $a Includes bibliographical references
520 $a Many accounts of the life of Ch'en Hung-shou are recorded in historical documents and art texts that pertain to the late Ming period. He was an exceptional painter who disregarded canons both of subject matter and of style to which most of his contemporaries adhered. By happenstance, moreover, he witnessed the fall of the Ming government and was inevitably embroiled with the Manchu conquerers of China. My focus in the dissertation will be a biographical one; my starting-point will be Ch'en Hung-shou's writings, especially the poems and essays that were recorded in the posthumous collection of his literary works Pao-lun-t'ang chi (Collected writings from Hall for the Cherishment of Silken Cords). Traditional Chinese accounts of Ch'en Hung-shou's biography sought to narrate his life in accordance with the exemplary patterns that had been perceived in the lives of artists known from the past. Presentation of his experience after the Manchu conquest as an i-min, or "left-over subject," also followed certain literary precedents. The three principal biographies of Ch'en Hung-shou that were written in the early K'ang-hsi period have had a significant influence, even into the twentieth century, on the way historians have recounted his life. Although the vivid narration of these texts by Chu I-tsun, Mao Ch'i-ling, and Meng Yuan can persuade the reader of their veracity and knowledge of Ch'en Hung-shou, more often than not they evidence considerable authorial manipulation, so much so that they cannot be accepted as the straightforward historical documents they might appear to be. K'ang-hsi period views of Ch'en Hung-shou tended to exaggerate the painter's loyalty to the Ming. My interpretive scheme will depend in part upon Pao-lun-t'ang chi as a repository of slighted or little known facts about the painter's life. My purpose, however, is not simply to write a literary biography. Although Pao-lun-t'ang chi contains a great number of confessional writings and poetic complaints, the most private of these texts can be shown to convey as well the form of a public self. Indeed, Ch'en Hung-shou presents himself in a variety of ways in his poetry, accommodating his presentation to the codes of behavior to which he adhered in different periods of his life. (Abstract shortened with permission of author.).
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a Biographies. $3 1184344
650 4 $a History. $3 669538
650 4 $a Asian history. $2 bicssc $3 810327
653 $a Ch'en Hung-shou Pao-lun-t'ang chi
653 $a Pao-lun-tan'g chi
655 7 $a Electronic books. $2 local $3 554714
690 $a 0304
690 $a 0332
690 $a 0578
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a University of California, Berkeley. $3 1183587
773 0 $t Dissertations Abstracts International $g 50-05A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8813808 $z click for full text (PQDT)