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Gender, Labor, and the Commodification of Intimacy in K-Pop.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Gender, Labor, and the Commodification of Intimacy in K-Pop./
Author:
Choi, Stephanie Jiyun.
Description:
1 online resource (270 pages)
Notes:
Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Contained By:
Dissertations Abstracts International82-09A.
Subject:
Music. -
Online resource:
click for full text (PQDT)
ISBN:
9798582505082
Gender, Labor, and the Commodification of Intimacy in K-Pop.
Choi, Stephanie Jiyun.
Gender, Labor, and the Commodification of Intimacy in K-Pop.
- 1 online resource (270 pages)
Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Thesis (Ph.D.)--University of California, Santa Barbara, 2020.
Includes bibliographical references
This dissertation is an ethnography of how intimacy is transacted in and out of the political economy and commodity culture of K-pop. I view both K-pop singers and fans as intimate laborers in the affective economy of global K-pop and explore how intimacy is commodified as a product in digital media. Popular music studies have often defined fan activities in the pop music sector as domestic and thus feminine, but K-pop female fans' activities complicate the conventional dichotomies of domestic versus public and feminine versus masculine, as their relationships with K-pop idols (male singers in particular) are built upon female dominance acquired through digital surveillance and fetishization of idol bodies. These activities have long been deemed abnormal, hysterical, irrational, and unintelligent; however, I understand K-pop fans as consumers who seek intimate solidarity through purchased feelings of pleasure, power, and ascendancy.K-pop fandom is not phenomenal-it is performative.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9798582505082Subjects--Topical Terms:
649088
Music.
Subjects--Index Terms:
Digital mediaIndex Terms--Genre/Form:
554714
Electronic books.
Gender, Labor, and the Commodification of Intimacy in K-Pop.
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Choi, Stephanie Jiyun.
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Gender, Labor, and the Commodification of Intimacy in K-Pop.
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1 online resource (270 pages)
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Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
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Advisor: Novak, David.
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Thesis (Ph.D.)--University of California, Santa Barbara, 2020.
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Includes bibliographical references
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This dissertation is an ethnography of how intimacy is transacted in and out of the political economy and commodity culture of K-pop. I view both K-pop singers and fans as intimate laborers in the affective economy of global K-pop and explore how intimacy is commodified as a product in digital media. Popular music studies have often defined fan activities in the pop music sector as domestic and thus feminine, but K-pop female fans' activities complicate the conventional dichotomies of domestic versus public and feminine versus masculine, as their relationships with K-pop idols (male singers in particular) are built upon female dominance acquired through digital surveillance and fetishization of idol bodies. These activities have long been deemed abnormal, hysterical, irrational, and unintelligent; however, I understand K-pop fans as consumers who seek intimate solidarity through purchased feelings of pleasure, power, and ascendancy.K-pop fandom is not phenomenal-it is performative.
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click for full text (PQDT)
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