國立虎尾科技大學 |

Gender, Labor, and the Commodification of Intimacy in K-Pop.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Gender, Labor, and the Commodification of Intimacy in K-Pop./
作者:	Choi, Stephanie Jiyun.
面頁冊數:	1 online resource (270 pages)
附註:	Source: Dissertations Abstracts International, Volume: 82-09, Section: A.
Contained By:	Dissertations Abstracts International82-09A.
標題:	Music. -
電子資源:	click for full text (PQDT)
ISBN:	9798582505082

Gender, Labor, and the Commodification of Intimacy in K-Pop.
Choi, Stephanie Jiyun.

Gender, Labor, and the Commodification of Intimacy in K-Pop. - 1 online resource (270 pages)

Source: Dissertations Abstracts International, Volume: 82-09, Section: A.

Thesis (Ph.D.)--University of California, Santa Barbara, 2020.

Includes bibliographical references

This dissertation is an ethnography of how intimacy is transacted in and out of the political economy and commodity culture of K-pop. I view both K-pop singers and fans as intimate laborers in the affective economy of global K-pop and explore how intimacy is commodified as a product in digital media. Popular music studies have often defined fan activities in the pop music sector as domestic and thus feminine, but K-pop female fans' activities complicate the conventional dichotomies of domestic versus public and feminine versus masculine, as their relationships with K-pop idols (male singers in particular) are built upon female dominance acquired through digital surveillance and fetishization of idol bodies. These activities have long been deemed abnormal, hysterical, irrational, and unintelligent; however, I understand K-pop fans as consumers who seek intimate solidarity through purchased feelings of pleasure, power, and ascendancy.K-pop fandom is not phenomenal-it is performative.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798582505082Subjects--Topical Terms:

649088
Music.
Subjects--Index Terms:

Digital mediaIndex Terms--Genre/Form:

554714
Electronic books.

Gender, Labor, and the Commodification of Intimacy in K-Pop.
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