Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Curating difficult knowledge = viole...
~
Milton, Cynthia E.
Curating difficult knowledge = violent pasts in public places /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Curating difficult knowledge/ edited by Erica Lehrer, Cynthia E. Milton, Monica Eileen Patterson.
Reminder of title:
violent pasts in public places /
other author:
Lehrer, Erica T.
Published:
Houndmills, Basingstoke Hampshire ;Palgrave Macmillan, : 2011.,
Description:
1 online resource (xiii, 219 p., 16 leaves of plates) :ill., maps. :
Subject:
Political atrocities - Exhibitions. -
Online resource:
http://www.palgraveconnect.com/doifinder/10.1057/9780230319554
ISBN:
9780230319554 (electronic bk.)
Curating difficult knowledge = violent pasts in public places /
Curating difficult knowledge
violent pasts in public places /[electronic resource] :edited by Erica Lehrer, Cynthia E. Milton, Monica Eileen Patterson. - Houndmills, Basingstoke Hampshire ;Palgrave Macmillan,2011. - 1 online resource (xiii, 219 p., 16 leaves of plates) :ill., maps.
List of Illustrations -- List of Maps -- Acknowledgements -- Notes on Contributors -- Introduction: Witnesses to Witnessing; E. Lehrer� & C.E. Milton -- PART I: BEARING WITNESS BETWEEN MUSEUMS AND COMMUNITIES -- 'We were so far away': Exhibiting Inuit Oral Histories of Residential Schools; H. Igloliorte -- The Past is a Dangerous Place: the Museum as a Safe Haven; V. Szekeres -- Teaching Tolerance through Objects of Hatred: The Jim Crow Museum of Racist Memorabilia as 'Counter-Museum'; M.E. Patterson -- Politics of the Past: Remembering the Rwandan Genocide at the Kigali Memorial Center; A. Sodaro -- PART II: VISUALIZING THE PAST -- Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto; D. Newbury -- Showing and Telling: Photography Exhibitions in Israeli Discourses of Dissent; T. Katriel -- Visualizing Apartheid: Re-framing Truth and Reconciliation through Contemporary South African Art; E. Mosely -- PART III: MATERIALITY AND MEMORIAL CHALLENGES -- Points of No Return: Cultural Heritage and Counter-Memory in Post-Yugoslavia; A. Herscher -- Defacing Memory: (Un)tying Peru's Memory Knots; C.E. Milton -- (Mis)representations of the Jewish Past in Poland's Memoryscapes: Nationalism, Religion and Political Economies of Commemoration; S. Kapralski -- Afterward: The Turn to Pedagogy: a Needed Conversation on the Practice of Curating Difficult Knowledge; R.I. Simon -- Index --
Much of the literature on post-violent contexts addresses problems of transitional justice, memory studies, and post-conflict reconciliation.�This volume inscribes an innovative domain of inquiry, situating itself creatively amidst these discussions but building upon the literatures of museum and heritage studies.�The contributors (themselves�practitioners, artists, curators, activists and academics) draw from a broad range of geographical and theoretical material, �and�explore new ways of bearing witness vis-a-vis curatorial practice, heritage work and memorializing the past, to examine the challenges and limitations of such endeavors.
ISBN: 9780230319554 (electronic bk.)
Source: 494439Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
835479
Political atrocities
--Exhibitions.Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: JC571 / .C79 2011
Dewey Class. No.: 303.6075
Curating difficult knowledge = violent pasts in public places /
LDR
:03344cam 2200325Ka 4500
001
708365
003
OCoLC
005
20120502024454.0
006
m d
007
cr cn|||||||||
008
120814s2011 enkabf o 000 0 eng d
019
$a
769189507
020
$a
9780230319554 (electronic bk.)
020
$a
0230319556 (electronic bk.)
020
$z
9780230296725 (hardback)
035
$a
(OCoLC)759166788
$z
(OCoLC)769189507
035
$a
ocn759166788
037
$a
494439
$b
Palgrave Macmillan
$n
http://www.palgraveconnect.com
040
$a
UKPGM
$b
eng
$c
UKPGM
$d
YDXCP
$d
EBLCP
$d
E7B
$d
OCLCQ
$d
N$T
$d
REDDC
$d
OCLCQ
049
$a
TEFA
050
4
$a
JC571
$b
.C79 2011
072
7
$a
SOC
$x
051000
$2
bisacsh
082
0 4
$a
303.6075
$2
22
245
0 0
$a
Curating difficult knowledge
$h
[electronic resource] :
$b
violent pasts in public places /
$c
edited by Erica Lehrer, Cynthia E. Milton, Monica Eileen Patterson.
260
$a
Houndmills, Basingstoke Hampshire ;
$a
New York :
$b
Palgrave Macmillan,
$c
2011.
300
$a
1 online resource (xiii, 219 p., 16 leaves of plates) :
$b
ill., maps.
505
0
$a
List of Illustrations -- List of Maps -- Acknowledgements -- Notes on Contributors -- Introduction: Witnesses to Witnessing; E. Lehrer� & C.E. Milton -- PART I: BEARING WITNESS BETWEEN MUSEUMS AND COMMUNITIES -- 'We were so far away': Exhibiting Inuit Oral Histories of Residential Schools; H. Igloliorte -- The Past is a Dangerous Place: the Museum as a Safe Haven; V. Szekeres -- Teaching Tolerance through Objects of Hatred: The Jim Crow Museum of Racist Memorabilia as 'Counter-Museum'; M.E. Patterson -- Politics of the Past: Remembering the Rwandan Genocide at the Kigali Memorial Center; A. Sodaro -- PART II: VISUALIZING THE PAST -- Living Historically through Photographs in Post-Apartheid South Africa: Reflections on Kliptown Museum, Soweto; D. Newbury -- Showing and Telling: Photography Exhibitions in Israeli Discourses of Dissent; T. Katriel -- Visualizing Apartheid: Re-framing Truth and Reconciliation through Contemporary South African Art; E. Mosely -- PART III: MATERIALITY AND MEMORIAL CHALLENGES -- Points of No Return: Cultural Heritage and Counter-Memory in Post-Yugoslavia; A. Herscher -- Defacing Memory: (Un)tying Peru's Memory Knots; C.E. Milton -- (Mis)representations of the Jewish Past in Poland's Memoryscapes: Nationalism, Religion and Political Economies of Commemoration; S. Kapralski -- Afterward: The Turn to Pedagogy: a Needed Conversation on the Practice of Curating Difficult Knowledge; R.I. Simon -- Index --
520
$a
Much of the literature on post-violent contexts addresses problems of transitional justice, memory studies, and post-conflict reconciliation.�This volume inscribes an innovative domain of inquiry, situating itself creatively amidst these discussions but building upon the literatures of museum and heritage studies.�The contributors (themselves�practitioners, artists, curators, activists and academics) draw from a broad range of geographical and theoretical material, �and�explore new ways of bearing witness vis-a-vis curatorial practice, heritage work and memorializing the past, to examine the challenges and limitations of such endeavors.
588
$a
Description based on print version record.
650
0
$a
Political atrocities
$v
Exhibitions.
$3
835479
650
0
$a
Crimes against humanity
$v
Exhibitions.
$3
835480
650
0
$a
Museums
$x
Curatorship.
$3
835481
650
0
$a
Museum exhibits.
$3
558601
650
4
$a
ART
$x
Museum Studies.
$3
835482
650
4
$a
Crimes against humanity.
$3
563943
650
4
$a
HISTORY
$x
Social History.
$2
bisacsh
$3
834923
650
4
$a
Political atrocities.
$3
835483
650
4
$a
SOCIAL SCIENCE
$x
Media Studies.
$3
835484
650
4
$a
Social Science.
$3
811354
650
4
$a
Political Science.
$3
668850
650
4
$a
Museums.
$3
835485
650
7
$a
SOCIAL SCIENCE
$x
Violence in Society.
$2
bisacsh
$3
813201
655
4
$a
Electronic books.
$2
local
$3
554714
700
1
$a
Lehrer, Erica T.
$3
835476
700
1
$a
Milton, Cynthia E.
$3
835477
700
1
$a
Patterson, Monica.
$3
835478
710
2
$a
Palgrave Connect (Online service)
$3
834339
856
4 0
$3
Palgrave Connect
$u
http://www.palgraveconnect.com/doifinder/10.1057/9780230319554
994
$a
C0
$b
TEF
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login
Please sign in
User name
Password
Remember me on this computer
Cancel
Forgot your password?