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Art cinema and theology = the word was made film /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Art cinema and theology/ by Justin Ponder.
Reminder of title:	the word was made film /
Author:	Ponder, Justin.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xii, 214 p. :ill. (some col.), digital ; : 22 cm.;
Contained By:	Springer eBooks
Subject:	Motion pictures - Religious aspects. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-58556-7
ISBN:	9783319585567

Art cinema and theology = the word was made film /
Ponder, Justin.

Art cinema and theologythe word was made film /[electronic resource] :by Justin Ponder. - Cham :Springer International Publishing :2017. - xii, 214 p. :ill. (some col.), digital ;22 cm.

This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Bunuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scene. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.

ISBN: 9783319585567

Standard No.: 10.1007/978-3-319-58556-7doiSubjects--Topical Terms:

593163
Motion pictures
--Religious aspects.

LC Class. No.: PN1995.9.R4 / P66 2017

Dewey Class. No.: 791.43682

Art cinema and theology = the word was made film /
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100 1 $a Ponder, Justin. $3 1172184
245 1 0 $a Art cinema and theology $h [electronic resource] : $b the word was made film / $c by Justin Ponder.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xii, 214 p. : $b ill. (some col.), digital ; $c 22 cm.
520 $a This book examines postmodern theology and how it relates to the cinematic style of Robert Bresson, Carl Theodor Dreyer, Ingmar Bergman, and Luis Bunuel. Ponder demonstrates how these filmmakers forefront religious issues in their use of mise en scene. He investigates both the technical qualities of film "flesh" and its theological features. The chapters show how art cinema uses sound, editing, lighting, and close-ups in ways that critique doctrine's authoritarianism, as well as philosophy's individualism, to suggest postmodern theologies that emphasize community. Through this book we learn how the cinematic style of modernist auteurs relates to postmodern theology and how the industry of art cinema constructs certain kinds of film-watching subjectivity.
650 0 $a Motion pictures $x Religious aspects. $3 593163
650 0 $a Religion in motion pictures. $3 836193
650 0 $a Religious films $x History and criticism. $3 1172185
650 1 4 $a Cultural and Media Studies. $3 1070598
650 2 4 $a Film Theory. $3 1108149
650 2 4 $a Religious Studies, general. $3 1069645
650 2 4 $a Postmodern Philosophy. $3 1113145
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856 4 0 $u http://dx.doi.org/10.1007/978-3-319-58556-7
950 $a Literature, Cultural and Media Studies (Springer-41173)

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