國立虎尾科技大學 |

Material Witness : = Occult Affects in the Mystery Fiction of the Fin de Siecle.

紀錄類型:	書目-語言資料,手稿 : Monograph/item
正題名/作者:	Material Witness :/
其他題名:	Occult Affects in the Mystery Fiction of the Fin de Siecle.
作者:	Stuart, Thomas Matthew.
面頁冊數:	1 online resource (282 pages)
附註:	Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
Contained By:	Dissertations Abstracts International84-03A.
標題:	19th century. -
電子資源:	click for full text (PQDT)
ISBN:	9798845491527

Material Witness : = Occult Affects in the Mystery Fiction of the Fin de Siecle.
Stuart, Thomas Matthew.

Material Witness :Occult Affects in the Mystery Fiction of the Fin de Siecle. - 1 online resource (282 pages)

Source: Dissertations Abstracts International, Volume: 84-03, Section: A.

Thesis (Ph.D.)--The University of Western Ontario (Canada), 2020.

Includes bibliographical references

As the nineteenth century progressed, Spiritualism blossomed from a religious movement to a cultural moment. While it remained an object of faith or ancillary faith, Spiritualism became as well a voice for radical reform, parlour entertainment, means of negotiating an increasingly mediated world, and so forth. Combined with enthusiasm for occult knowledge, Spiritualism offered intricately interrelated modes of narrating our relation to a consistently present past, in light of a rapidly approaching future. My project reads this fin-de-siecle fascination as a sensibility. Occult figures and Spiritualist impulses, I argue, provide a vocabulary of feelings evoked in encounters with the mysterious. My dissertation turns to mystery fiction, examining the influence this occult sensibility has in narrating a criminal investigation's material mise-en-scene. In my first chapter, I read the corpse in Richard Marsh's thriller The Goddess (1900) as the centre of spreading similarities and sympathies, each marked by occult figures. I explore an anxiety toward dissolved boundaries expressed in the violent rupture of a murdered body and the further disruptions of definition and identity it initiates. My second chapter turns to the signature objects of Arthur Conan Doyle's Sherlock Holmes canon. I tease out three items from "A Case of Identity" (1891) and The Hound of the Baskervilles (1902) to argue that the affects, history, and individuality of the clue parallel psychometric belief, particularly that our items inhere their vicinity, ownership, and interactions within their soul. Reading Anna Katharine Green's novel The Filigree Ball (1903) in Chapter Three, I suggest the locked-room convention anxiously articulates the porous nature of domestic space. I suggest Green's depiction of a room that repeats its violence stages the uncanny domesticity of a family that accepts its haunting. In my final chapter, Algernon Blackwood's ghost story "The Empty House" (1906) prompts a reading of spaces in The Goddess, the Holmes canon, and The Filigree Ball. Each depicts rooms haunted by disembodied emotion, only available to the detective who adopts a mediumistic, negative affect. Throughout the project, the tales I examine consistently borrow occult affects to imagine a material world unexpectedly charged with lingering history and affective intensity.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798845491527Subjects--Topical Terms:

934375
19th century.
Index Terms--Genre/Form:

554714
Electronic books.

Material Witness : = Occult Affects in the Mystery Fiction of the Fin de Siecle.
LDR:03643ntm a22003497 4500 001 1150614
005 20241028051811.5
006 m o d
007 cr bn ---uuuuu
008 250605s2020 xx obm 000 0 eng d
020 $a 9798845491527
035 $a (MiAaPQ)AAI29247751
035 $a (MiAaPQ)oaiirlibuwocaetd9691
035 $a AAI29247751
040 $a MiAaPQ $b eng $c MiAaPQ $d NTU
100 1 $a Stuart, Thomas Matthew. $3 1477144
245 1 0 $a Material Witness : $b Occult Affects in the Mystery Fiction of the Fin de Siecle.
264 0 $c 2020
300 $a 1 online resource (282 pages)
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
500 $a Source: Dissertations Abstracts International, Volume: 84-03, Section: A.
500 $a Advisor: Bruhm, Steven.
502 $a Thesis (Ph.D.)--The University of Western Ontario (Canada), 2020.
504 $a Includes bibliographical references
520 $a As the nineteenth century progressed, Spiritualism blossomed from a religious movement to a cultural moment. While it remained an object of faith or ancillary faith, Spiritualism became as well a voice for radical reform, parlour entertainment, means of negotiating an increasingly mediated world, and so forth. Combined with enthusiasm for occult knowledge, Spiritualism offered intricately interrelated modes of narrating our relation to a consistently present past, in light of a rapidly approaching future. My project reads this fin-de-siecle fascination as a sensibility. Occult figures and Spiritualist impulses, I argue, provide a vocabulary of feelings evoked in encounters with the mysterious. My dissertation turns to mystery fiction, examining the influence this occult sensibility has in narrating a criminal investigation's material mise-en-scene. In my first chapter, I read the corpse in Richard Marsh's thriller The Goddess (1900) as the centre of spreading similarities and sympathies, each marked by occult figures. I explore an anxiety toward dissolved boundaries expressed in the violent rupture of a murdered body and the further disruptions of definition and identity it initiates. My second chapter turns to the signature objects of Arthur Conan Doyle's Sherlock Holmes canon. I tease out three items from "A Case of Identity" (1891) and The Hound of the Baskervilles (1902) to argue that the affects, history, and individuality of the clue parallel psychometric belief, particularly that our items inhere their vicinity, ownership, and interactions within their soul. Reading Anna Katharine Green's novel The Filigree Ball (1903) in Chapter Three, I suggest the locked-room convention anxiously articulates the porous nature of domestic space. I suggest Green's depiction of a room that repeats its violence stages the uncanny domesticity of a family that accepts its haunting. In my final chapter, Algernon Blackwood's ghost story "The Empty House" (1906) prompts a reading of spaces in The Goddess, the Holmes canon, and The Filigree Ball. Each depicts rooms haunted by disembodied emotion, only available to the detective who adopts a mediumistic, negative affect. Throughout the project, the tales I examine consistently borrow occult affects to imagine a material world unexpectedly charged with lingering history and affective intensity.
533 $a Electronic reproduction. $b Ann Arbor, Mich. : $c ProQuest, $d 2024
538 $a Mode of access: World Wide Web
650 4 $a 19th century. $3 934375
650 4 $a Genre. $3 1108142
650 4 $a Novels. $3 1466500
650 4 $a Spiritualism. $3 1002214
650 4 $a Spirituality. $3 555490
650 4 $a British & Irish literature. $3 1148425
650 4 $a Literature. $3 557269
655 7 $a Electronic books. $2 local $3 554714
690 $a 0647
690 $a 0593
690 $a 0401
710 2 $a ProQuest Information and Learning Co. $3 1178819
710 2 $a The University of Western Ontario (Canada). $3 1184598
773 0 $t Dissertations Abstracts International $g 84-03A.
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=29247751 $z click for full text (PQDT)