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Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
紀錄類型:
書目-語言資料,手稿 : Monograph/item
正題名/作者:
Talking Back :/
其他題名:
An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
作者:
McIntyre, Lindsay Maria.
面頁冊數:
1 online resource (145 pages)
附註:
Source: Dissertations Abstracts International, Volume: 85-01, Section: B.
Contained By:
Dissertations Abstracts International85-01B.
標題:
Music. -
電子資源:
click for full text (PQDT)
ISBN:
9798379769840
Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
McIntyre, Lindsay Maria.
Talking Back :
An Exploration of Negative Self-Talk in Undergraduate Voice Majors. - 1 online resource (145 pages)
Source: Dissertations Abstracts International, Volume: 85-01, Section: B.
Thesis (D.M.A.)--University of Toronto (Canada), 2023.
Includes bibliographical references
This research centers on the experience of negative self-talk in undergraduate voice majors. The research questions are (1) How prevalent is negative self-talk in individual singers? (2) Why do students experience negative self-talk? (3) How does negative self-talk impact the wellbeing of this population? And (4) Can mindfulness-based meditation serve as an effective intervention in reducing the effects of negative self-talk? To answer these questions, a multiple case study was designed alongside an eight-week mindfulness-based intervention. Five undergraduate student participants were sent an email once a week for eight weeks, which included introductions to mindfulness concepts and audio files of guided meditations, which they were to practice daily. During these eight weeks, each student participated in a series of three interviews and completed questionnaires relating to music performance anxiety, self-efficacy, and mindfulness following "high stakes" performances of their choosing. In Chapter 1 of this dissertation, I present my own experience with negative self-talk in performance, and in Chapter 2, I review the current literature on Music Performance Anxiety (MPA), self-talk, and wellbeing. I present my research design and intervention in Chapter 3 and describe the five participant case studies in Chapter 4. I provide within-case and cross-case analyses in Chapter 5. In the cross-case analysis, four themes emerged: 1) Cognitive manifestations of performance anxiety; 2) Comparison; 3) Over-analyzing; and 4) Increased mindfulness. Following the eight-week intervention, overall awareness around performance and performance process increased, a deeper connection to breath was developed, and greater overall acceptance was gained. Chapter 6 contains a discussion of limitations and future directions for this research. Given the results of this and similar studies, I suggest that music educators consider adding mindfulness practices into their curriculum to enhance both the performance experience and overall wellbeing of student musicians. This intervention took place during the COVID-19 pandemic, which is discussed throughout.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024
Mode of access: World Wide Web
ISBN: 9798379769840Subjects--Topical Terms:
649088
Music.
Subjects--Index Terms:
MeditationIndex Terms--Genre/Form:
554714
Electronic books.
Talking Back : = An Exploration of Negative Self-Talk in Undergraduate Voice Majors.
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Source: Dissertations Abstracts International, Volume: 85-01, Section: B.
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Advisor: Tan, Daphne.
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This research centers on the experience of negative self-talk in undergraduate voice majors. The research questions are (1) How prevalent is negative self-talk in individual singers? (2) Why do students experience negative self-talk? (3) How does negative self-talk impact the wellbeing of this population? And (4) Can mindfulness-based meditation serve as an effective intervention in reducing the effects of negative self-talk? To answer these questions, a multiple case study was designed alongside an eight-week mindfulness-based intervention. Five undergraduate student participants were sent an email once a week for eight weeks, which included introductions to mindfulness concepts and audio files of guided meditations, which they were to practice daily. During these eight weeks, each student participated in a series of three interviews and completed questionnaires relating to music performance anxiety, self-efficacy, and mindfulness following "high stakes" performances of their choosing. In Chapter 1 of this dissertation, I present my own experience with negative self-talk in performance, and in Chapter 2, I review the current literature on Music Performance Anxiety (MPA), self-talk, and wellbeing. I present my research design and intervention in Chapter 3 and describe the five participant case studies in Chapter 4. I provide within-case and cross-case analyses in Chapter 5. In the cross-case analysis, four themes emerged: 1) Cognitive manifestations of performance anxiety; 2) Comparison; 3) Over-analyzing; and 4) Increased mindfulness. Following the eight-week intervention, overall awareness around performance and performance process increased, a deeper connection to breath was developed, and greater overall acceptance was gained. Chapter 6 contains a discussion of limitations and future directions for this research. Given the results of this and similar studies, I suggest that music educators consider adding mindfulness practices into their curriculum to enhance both the performance experience and overall wellbeing of student musicians. This intervention took place during the COVID-19 pandemic, which is discussed throughout.
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