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The digital evolution of live music

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The digital evolution of live music/ editors, Angela Cresswell Jones and Rebecca Jane Bennett.
other author:	Jones, Angela Cresswell,
Published:	Waltham, MA :Chandos Publishing an imprint of Elsevier, : 2015.,
Description:	1 online resource.
Subject:	Live sound recordings. -
Online resource:	https://www.sciencedirect.com/science/book/9780081000670
ISBN:	9780081000700 (electronic bk.)

The digital evolution of live music
The digital evolution of live music[electronic resource] /editors, Angela Cresswell Jones and Rebecca Jane Bennett. - Waltham, MA :Chandos Publishing an imprint of Elsevier,2015. - 1 online resource. - Chandos information professional series. - Chandos information professional series..

Includes bibliographical references and index.

Front Cover; The Digital Evolution of Live Music; Copyright; Contents; Preface; Introduction; The digital evolution; Live music; The live music economy; Live music and digital culture; References; Section One: Live that survives ; Chapter 1: Live concerts and fan identity in the age of the Internet; 1.1 . Introduction; 1.2 . Identity and live music; 1.3 . Live concerts and history; 1.4 . Live concerts and community; 1.5 . Live concerts and the individual; 1.6 . Conclusion; References; Chapter 2: Aura, iteration, and action: digital technology and the jouissance of live music.

The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture.

ISBN: 9780081000700 (electronic bk.)Subjects--Topical Terms:

1293368
Live sound recordings.
Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: ML74

Dewey Class. No.: 780.28565

The digital evolution of live music
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245 0 4 $a The digital evolution of live music $h [electronic resource] / $c editors, Angela Cresswell Jones and Rebecca Jane Bennett.
260 $a Waltham, MA : $b Chandos Publishing an imprint of Elsevier, $c 2015.
300 $a 1 online resource.
490 1 $a Chandos information professional series
504 $a Includes bibliographical references and index.
505 0 $a Front Cover; The Digital Evolution of Live Music; Copyright; Contents; Preface; Introduction; The digital evolution; Live music; The live music economy; Live music and digital culture; References; Section One: Live that survives ; Chapter 1: Live concerts and fan identity in the age of the Internet; 1.1 . Introduction; 1.2 . Identity and live music; 1.3 . Live concerts and history; 1.4 . Live concerts and community; 1.5 . Live concerts and the individual; 1.6 . Conclusion; References; Chapter 2: Aura, iteration, and action: digital technology and the jouissance of live music.
505 8 $a 2.1 . The territory: arguments about the technological mediation of cultural production2.2 . The expedition: experiences of jouissance through live music; References; Chapter 3: What's my scene: festival fandom and the applification of the Big Day Out stage; 3.1 . Introduction; 3.2 . A brief history of music festivals: 1960s-1990s; 3.3 . The 1990s to the 2000s; 3.4 . The 2000s: the applification of the BDO stage; 3.5 . The future of music festivals; References; Section Two: Digital live ; Chapter 4: Live sound and the disappearing digital; 4.1 Introduction; 4.2 Sound is analog.
505 8 $a 4.3 Digital processes in live sound4.4 Global sound design; 4.5 Dislocations and authenticity; 4.6 Music computing and synthesis; 4.7 Remote digital tools; 4.8 Digital magic; 4.9 Conclusion; References; Chapter 5: Live or Memorex? Changing perceptions of music practices; 5.1 . Introduction; 5.2 . Methodology; 5.3 . The loss of the tangible-capturing the moment 1; 5.4 . Plus ca change-capturing the moment 2; 5.5 . Liquid sounds-disseminating the experience; 5.6 . Keeping it real-live and digital; 5.7 . Dubstep or busted speakers? Changing auditory practices; 5.8 . Backward to the future.
505 8 $a 7.1 . Second Life: looking forward, looking back7.2 . Identity avatars and disability; 7.3 . Second Life, live music, and disability; 7.4 . Wheelies, live music, and engagement; 7.5 . Conclusion; References; Chapter 8: The sounds of Skyrim: a musical journey through gaming; 8.1 . Introduction; 8.2 . The music of Skyrim; 8.2.1 . Music in-game; 8.2.2 . Music from the game; 8.3 . Music and live-gaming experiences: a moment in time, a moment in mind; References; Section Three: Live after death ; Chapter 9: Dead music in live music culture; 9.1 . Deadness in liveness; 9.1.1 . Dead? Music.
520 $a The concept of 'live' has changed as a consequence of mediated culture. Interaction may occur in real time, but not necessarily in shared physical spaces with others. The Digital Evolution of Live Music considers notions of live music in time and space as influenced by digital technology. This book presents the argument that live music is a special case in digital experience due to its liminal status between mind and body, words and feelings, sight and sound, virtual and real. Digital live music occupies a multimodal role in a cultural contextual landscape shaped by technological innovation. The book consists of three sections. The first section looks at fan perspectives, digital technology and the jouissance of live music and music festival fans. The second section discusses music in popular culture, exploring YouTube and live music video culture and gaming soundtracks, followed by the concluding section which investigates the future of live music and digital culture.
588 0 $a Vendor-supplied metadata.
650 0 $a Live sound recordings. $3 1293368
650 0 $a Sound $x Recording and reproducing $x Digital techniques. $3 566688
655 4 $a Electronic books. $2 local $3 554714
700 1 $a Jones, Angela Cresswell, $e editor. $3 1293366
700 1 $a Bennett, Rebecca Jane, $e editor. $3 1293367
830 0 $a Chandos information professional series. $3 933702
856 4 0 $u https://www.sciencedirect.com/science/book/9780081000670