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Eastern approaches to Western film = Asian reception and aesthetics in cinema /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Eastern approaches to Western film/ Stephen Teo.
Reminder of title:	Asian reception and aesthetics in cinema /
Author:	Teo, Stephen.
Published:	London :Bloomsbury Academic, : 2019.,
Description:	1 online resource (xi, 292 p.)
Notes:	Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
Subject:	Motion pictures - History. - Asia -
Online resource:	https://dx.doi.org/10.5040/9781350116917?locatt=label:secondary_bloomsburyCollections
ISBN:	9781350116917 (ebk.)

Eastern approaches to Western film = Asian reception and aesthetics in cinema /
Teo, Stephen.

Eastern approaches to Western filmAsian reception and aesthetics in cinema /[electronic resource] :Stephen Teo. - London :Bloomsbury Academic,2019. - 1 online resource (xi, 292 p.) - World cinema.

Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.

Includes bibliographical references and index.

Introduction -- 1. Star Wars Eastern Saga -- 2. Vertigo, Hitchcock's Chinese Riddle -- 3. Orson Welles' The Lady from Shanghai -- 4. Le Samouraï, Eastern Action in the Milieu -- 5. Robert Bresson, French or Daoist? -- 6. Dreyer's Vampyr, Wandering in the West -- 7. Eastern Principles in Sam Peckinpah's Westerns -- 8. Make Way for Tomorrow, America's Confucian Classic -- 9. John Ford and Asian Family Values -- 10.Conclusion.

"Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an 'Eastern Approach' into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined."--Bloomsbury Publishing.

ISBN: 9781350116917 (ebk.)Subjects--Topical Terms:

1403656
Motion pictures
--History.--Asia

LC Class. No.: PN1993.5.U6 / T46 2019

Dewey Class. No.: 791.43091821

Eastern approaches to Western film = Asian reception and aesthetics in cinema /
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520 $a "Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an 'Eastern Approach' into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined."--Bloomsbury Publishing.
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