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A cultural history of color in the Renaissance
Record Type:
Language materials, printed : Monograph/item
Title/Author:
A cultural history of color in the Renaissance/ edited by Sven Dupré and Amy Buono.
other author:
Buono, Amy.
Published:
London :Bloomsbury Academic, : 2021.,
Description:
1 online resource :ill. :
Subject:
Art & visual culture. -
Online resource:
https://doi.org/10.5040/9781350182806?locatt=label:secondary_bloomsburyCollections
ISBN:
9781350182806
A cultural history of color in the Renaissance
A cultural history of color in the Renaissance
[electronic resource] /edited by Sven Dupré and Amy Buono. - 1st ed. - London :Bloomsbury Academic,2021. - 1 online resource :ill. - The Cultural Histories Series. - The Cultural Histories Series..
A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created,traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. <b>Amy Buono </b>is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University , USA. <b>Sven Dupré</b> isProfessor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf</i>
ISBN: 9781350182806Subjects--Topical Terms:
1458512
Art & visual culture.
Index Terms--Genre/Form:
554714
Electronic books.
LC Class. No.: QC495.8 / .C857 2021v.3eb
Dewey Class. No.: 701.8509024
A cultural history of color in the Renaissance
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A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created,traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. <b>Amy Buono </b>is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University , USA. <b>Sven Dupré</b> isProfessor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf</i>
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https://doi.org/10.5040/9781350182806?locatt=label:secondary_bloomsburyCollections
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