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It's All a Simulation; Subverting Reality Capture Technology.

Record Type:	Language materials, manuscript : Monograph/item
Title/Author:	It's All a Simulation; Subverting Reality Capture Technology./
Author:	Warshawsky, Natasha Makie.
Description:	1 online resource (92 pages)
Notes:	Source: Masters Abstracts International, Volume: 82-02.
Contained By:	Masters Abstracts International82-02.
Subject:	Fine arts. -
Online resource:	click for full text (PQDT)
ISBN:	9798662482289

It's All a Simulation; Subverting Reality Capture Technology.
Warshawsky, Natasha Makie.

It's All a Simulation; Subverting Reality Capture Technology. - 1 online resource (92 pages)

Source: Masters Abstracts International, Volume: 82-02.

Thesis (M.S.)--Drexel University, 2020.

Includes bibliographical references

Reality capture technology is an emergent field within computer graphics, which includes techniques such as 3D scanning, performance capture, and photo sampling. My creative research thesis work explores emerging reality capture technologies and how they impact our perception and representations of reality. I mainly focus on Photogrammetry, a type of low cost 3D scanning, which is becoming more widely used in games and animation. My research sets out to explore these tools with the goal of finding ways they can be adopted into an experimental creative practice.

Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2024

Mode of access: World Wide Web

ISBN: 9798662482289Subjects--Topical Terms:

1112523
Fine arts.
Subjects--Index Terms:

3D scanningIndex Terms--Genre/Form:

554714
Electronic books.

It's All a Simulation; Subverting Reality Capture Technology.
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520 $a Reality capture technology is an emergent field within computer graphics, which includes techniques such as 3D scanning, performance capture, and photo sampling. My creative research thesis work explores emerging reality capture technologies and how they impact our perception and representations of reality. I mainly focus on Photogrammetry, a type of low cost 3D scanning, which is becoming more widely used in games and animation. My research sets out to explore these tools with the goal of finding ways they can be adopted into an experimental creative practice.
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