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Performing the US Latina and Latino borderlands

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Performing the US Latina and Latino borderlands/ edited by Arturo J.Aldama, Chela Sandoval, and Peter J. García.
other author:	García, Peter J.
Published:	Bloomington :Indiana University Press, : 2012.,
Description:	1 online resource (522 p.).
Subject:	Hispanic Americans - Ethnic identity. -
Online resource:	Full text available:
ISBN:	9780253008770 (electronic bk.)

Performing the US Latina and Latino borderlands
Performing the US Latina and Latino borderlands[electronic resource] /edited by Arturo J.Aldama, Chela Sandoval, and Peter J. García. - Bloomington :Indiana University Press,2012. - 1 online resource (522 p.).

Includes bibliographical references and index.

Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexicantransnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodernwas born along the borders of the Río Grande River / William AnthonyNericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks inEl Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta-- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / JenniferEsposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos performfor a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland --The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.

ISBN: 9780253008770 (electronic bk.)Subjects--Topical Terms:

959900
Hispanic Americans
--Ethnic identity.

LC Class. No.: PN1590.H57 / P47 2012

Dewey Class. No.: 790.20868

Performing the US Latina and Latino borderlands
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245 0 0 $a Performing the US Latina and Latino borderlands $h [electronic resource] / $c edited by Arturo J.Aldama, Chela Sandoval, and Peter J. García.
260 $a Bloomington : $b Indiana University Press, $c 2012. $e (Baltimore, Md. : $f Project MUSE, $g 2013)
300 $a 1 online resource (522 p.).
504 $a Includes bibliographical references and index.
505 0 $a Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexicantransnational performative indigeneities / Micaela Díaz-Sánchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutierrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García -- Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodernwas born along the borders of the Río Grande River / William AnthonyNericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks inEl Paso/Juárez / Emma Perez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo Mexico music / Peter J. García -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta-- Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / JenniferEsposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos performfor a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland --The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Perez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.
588 $a Description based on print version record.
650 0 $a Hispanic Americans $x Ethnic identity. $3 959900
650 0 $a Hispanic Americans in the performing arts. $3 959901
700 1 $a García, Peter J. $3 959897
700 1 $a Sandoval, Chela, $d 1956- $3 959898
700 1 $a Aldama, Arturo J., $d 1964- $3 959899
710 2 $a Project Muse. $3 943849
856 4 0 $z Full text available: $u http://muse.jhu.edu/books/9780253008770/