國立虎尾科技大學 |

Cinema and the imagination in Katherine Mansfield's writing /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Cinema and the imagination in Katherine Mansfield's writing // Maurizio Ascari.
Author:	Ascari, Maurizio,
Description:	1 online resource.
Subject:	1900 - 1999 -
Subject:	English fiction - History and criticism - 20th century. -
Subject:	Great Britain. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137400369
ISBN:	1137400366 (electronic bk.)

Cinema and the imagination in Katherine Mansfield's writing /
Ascari, Maurizio,

Cinema and the imagination in Katherine Mansfield's writing /Maurizio Ascari. - 1 online resource.

Includes bibliographical references and index.

Mansfield, Silent Film and Post-Impressionism -- Beyond Impressionist Subjectivity -- Ideological Stances and Aesthetic Concerns -- Mansfield's Post-war Reappraisal of Cinema -- Sensory Deprivation and Inner Probing -- Conclusion.

In this engaging new study, Maurizio Ascari reassesses Katherine Mansfield's literary career through the critical lens of silent film, showing how the author's imagination developed in a cultural climate which was informed by interart exchanges. In London, Mansfield came in touch not only with avant-garde movements, but with the new medium of cinema, which exerted a deep fascination on her. Cinema helped Mansfield achieve a new form pivoting on impersonality and empathy, and, together with stories in which cinema is openly thematised, she wrote others which reveal a cinematic dimension in terms of narrative techniques. This critical work reassesses Mansfield's texts by contextualising them both within the journals where they first appeared and against the background of contemporary discourses on cinema. While exploring a single case study, "Cinema and the Imagination in Katherine Mansfield's Writing" also discusses the intermedia exchanges in which modernism at large is rooted.

ISBN: 1137400366 (electronic bk.)

Source: 750072Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

845070
Mansfield, Katherine,
1888-1923.Garden Party.Subjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

1007113
English fiction
--History and criticism--20th century.Subjects--Geographical Terms:

556574
Great Britain.
Index Terms--Genre/Form:

993252
Criticism, interpretation, etc.

LC Class. No.: PR9639.3.M258

Dewey Class. No.: 823/.91209

Cinema and the imagination in Katherine Mansfield's writing /
LDR:02594cam a2200397Ki 4500 001 798256
003 OCoLC
005 20140910115803.0
006 m o d
007 cr cnu---unuuu
008 150519s2014 enk ob 001 0 eng d
019 $a 868265990
020 $a 1137400366 (electronic bk.)
020 $a 1306299845 (ebk)
020 $a 9781137400369 (electronic bk.)
020 $a 9781306299848 (ebk)
035 $a (OCoLC)869280439 $z (OCoLC)868265990
035 $a ocn869280439
037 $a 750072 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d IDEBK $d CDX $d OCLCO $d OCLCF
043 $a e-uk---
049 $a TEFA
050 4 $a PR9639.3.M258
082 0 4 $a 823/.91209 $2 23
100 1 $a Ascari, Maurizio, $e author. $3 1007112
245 1 0 $a Cinema and the imagination in Katherine Mansfield's writing / $c Maurizio Ascari.
264 1 $a [Basingstoke] : $b Palgrave Pivot, $c 2014.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references and index.
505 0 $a Mansfield, Silent Film and Post-Impressionism -- Beyond Impressionist Subjectivity -- Ideological Stances and Aesthetic Concerns -- Mansfield's Post-war Reappraisal of Cinema -- Sensory Deprivation and Inner Probing -- Conclusion.
520 $a In this engaging new study, Maurizio Ascari reassesses Katherine Mansfield's literary career through the critical lens of silent film, showing how the author's imagination developed in a cultural climate which was informed by interart exchanges. In London, Mansfield came in touch not only with avant-garde movements, but with the new medium of cinema, which exerted a deep fascination on her. Cinema helped Mansfield achieve a new form pivoting on impersonality and empathy, and, together with stories in which cinema is openly thematised, she wrote others which reveal a cinematic dimension in terms of narrative techniques. This critical work reassesses Mansfield's texts by contextualising them both within the journals where they first appeared and against the background of contemporary discourses on cinema. While exploring a single case study, "Cinema and the Imagination in Katherine Mansfield's Writing" also discusses the intermedia exchanges in which modernism at large is rooted.
588 $a Description based on publisher supplied information; title not viewed.
600 1 0 $a Mansfield, Katherine, $d 1888-1923. $t Garden Party. $3 845070
648 7 $a 1900 - 1999 $2 fast
650 0 $a English fiction $x History and criticism $y 20th century. $3 1007113
650 0 $a Motion pictures and literature. $3 571730
650 0 $a Silent films $z Great Britain $x History and criticism. $3 835461
650 7 $a English fiction. $3 684901
650 7 $a Silent films. $2 fast $3 1007114
651 7 $a Great Britain. $3 556574
655 7 $a Criticism, interpretation, etc. $2 fast $3 993252
655 7 $a Electronic books. $2 local $3 554714
710 2 $a Palgrave Connect (Online service) $3 834339
776 0 8 $i Print version: $z 9781306299848
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137400369