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Performing feeling in cultures of memory /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Performing feeling in cultures of memory // Bryoni Trezise.
Author:	Trezise, Bryoni,
Description:	1 online resource (204 pages).
Subject:	Emotions - Social aspects. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137336224
ISBN:	1137336226 (electronic bk.)

Performing feeling in cultures of memory /
Trezise, Bryoni,

Performing feeling in cultures of memory /Bryoni Trezise. - 1 online resource (204 pages). - Palgrave Macmillan Memory Studies. - Palgrave Macmillan memory studies..

Includes bibliographical references.

Introduction. Feeling the Return of Memory -- 1. Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return -- 2. Becoming Other-wise: Remembering Intercorporeal Indigeneity "Down Under" -- 3. Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV -- 4. Affecting Indifference: Traumatic a-materiality in Second Life -- 5. Affect's Spill: Theatrical 'Sensationship' in Cultures of Memory.

This is one of the first studies to map conjunctions between memory culture, feeling and the performed nature of emotions. In using performance theory as the investigative framework for these interests, Bryoni Trezise argues that feelings occur as performed cultural effects. The study makes clear the often invisible cultural practices that link how we experience reconstructions of the past to how we produce emotional responses out of them. The book traverses site-specific, virtual, televisual and theatrical memory practices, which reach from Holocaust memorials, to the digital aesthetics of Second Life and the trauma spectacles exposed by reality TV or challenged by radical theatre. Drawing together recent discussions on emotion and the senses, she argues that memory in the new millennium is characterised by an 'experiential turn' that underscores relations between bodily behaviours and sentimental responses. Through these, Trezise rethinks the dominant models that shape and frame arguments for how and why we remember the pasts of others.

ISBN: 1137336226 (electronic bk.)

Source: 673829Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

556079
Emotions
--Social aspects.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1590.P76

Dewey Class. No.: 790.2

Performing feeling in cultures of memory /
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020 $a 1137336226 (electronic bk.)
020 $a 9781137336224 (electronic bk.)
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037 $a 673829 $b Palgrave Macmillan $n http://www.palgraveconnect.com
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100 1 $a Trezise, Bryoni, $e author. $3 1008444
245 1 0 $a Performing feeling in cultures of memory / $c Bryoni Trezise.
264 1 $a Basingstoke : $b Palgrave MacMillan $c 2014.
300 $a 1 online resource (204 pages).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Palgrave Macmillan Memory Studies
504 $a Includes bibliographical references.
505 0 $a Introduction. Feeling the Return of Memory -- 1. Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return -- 2. Becoming Other-wise: Remembering Intercorporeal Indigeneity "Down Under" -- 3. Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV -- 4. Affecting Indifference: Traumatic a-materiality in Second Life -- 5. Affect's Spill: Theatrical 'Sensationship' in Cultures of Memory.
520 8 $a This is one of the first studies to map conjunctions between memory culture, feeling and the performed nature of emotions. In using performance theory as the investigative framework for these interests, Bryoni Trezise argues that feelings occur as performed cultural effects. The study makes clear the often invisible cultural practices that link how we experience reconstructions of the past to how we produce emotional responses out of them. The book traverses site-specific, virtual, televisual and theatrical memory practices, which reach from Holocaust memorials, to the digital aesthetics of Second Life and the trauma spectacles exposed by reality TV or challenged by radical theatre. Drawing together recent discussions on emotion and the senses, she argues that memory in the new millennium is characterised by an 'experiential turn' that underscores relations between bodily behaviours and sentimental responses. Through these, Trezise rethinks the dominant models that shape and frame arguments for how and why we remember the pasts of others.
588 $a Description based on print version record.
650 0 $a Emotions $x Social aspects. $3 556079
650 0 $a Performing arts $x Psychological aspects. $3 861160
655 7 $a Electronic books. $2 local $3 554714
710 2 $a Palgrave Connect (Online service) $3 834339
830 0 $a Palgrave Macmillan memory studies. $3 835633
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137336224