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Paradoxical japaneseness = cultural ...
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SpringerLink (Online service)
Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Paradoxical japaneseness/ by Andrew Dorman.
Reminder of title:
cultural representation in twenty-first century japanese cinema /
Author:
Dorman, Andrew.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
xiii, 224 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - History - 21st century. - Japan -
Subject:
Japan - Foreign relations - 1912-1945. -
Online resource:
http://dx.doi.org/10.1057/978-1-137-55160-3
ISBN:
9781137551603
Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
Dorman, Andrew.
Paradoxical japaneseness
cultural representation in twenty-first century japanese cinema /[electronic resource] :by Andrew Dorman. - London :Palgrave Macmillan UK :2016. - xiii, 224 p. :ill., digital ;24 cm.
Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
ISBN: 9781137551603
Standard No.: 10.1057/978-1-137-55160-3doiSubjects--Topical Terms:
1115687
Motion pictures
--History--Japan--21st century.Subjects--Geographical Terms:
585293
Japan
--Foreign relations--1912-1945.
LC Class. No.: PN1993.5.J3 / D67 2016
Dewey Class. No.: 791.430952
Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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by Andrew Dorman.
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Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
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This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
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Literature, Cultural and Media Studies (Springer-41173)
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