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Fragmented Screens : = Found Footage...
~
ProQuest Information and Learning Co.
Fragmented Screens : = Found Footage and Image Circulation.
Record Type:
Language materials, manuscript : Monograph/item
Title/Author:
Fragmented Screens :/
Reminder of title:
Found Footage and Image Circulation.
Author:
Goldsmith, Leo.
Description:
1 online resource (279 pages)
Notes:
Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
Contained By:
Dissertation Abstracts International79-08A(E).
Subject:
Film studies. -
Online resource:
click for full text (PQDT)
ISBN:
9780355773637
Fragmented Screens : = Found Footage and Image Circulation.
Goldsmith, Leo.
Fragmented Screens :
Found Footage and Image Circulation. - 1 online resource (279 pages)
Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
Thesis (Ph.D.)--New York University, 2018.
Includes bibliographical references
This dissertation considers the evolution of practices of "found footage" and moving-image appropriation from a politically radical aesthetic strategy of the mid-20th century avant-garde cinema to a more pervasive, even standardized practice of digital media culture. I argue that, over the last half-century, appropriation strategies in cinema have changed in correspondence with key shifts in the materiality of moving-image media, and artists and filmmakers have taken up these techniques as a means of addressing the ways in which images circulate through new technologies. Found-footage cinema, therefore, constitutes a sustained discourse about---and a methodology through which to explore---the role of the moving-image in the constitution and shaping of everyday experience, one carried out through an investigation of its evolving media materiality.
Electronic reproduction.
Ann Arbor, Mich. :
ProQuest,
2018
Mode of access: World Wide Web
ISBN: 9780355773637Subjects--Topical Terms:
1179264
Film studies.
Index Terms--Genre/Form:
554714
Electronic books.
Fragmented Screens : = Found Footage and Image Circulation.
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Fragmented Screens :
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Found Footage and Image Circulation.
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1 online resource (279 pages)
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Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
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Adviser: Richard Allen.
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Thesis (Ph.D.)--New York University, 2018.
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Includes bibliographical references
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This dissertation considers the evolution of practices of "found footage" and moving-image appropriation from a politically radical aesthetic strategy of the mid-20th century avant-garde cinema to a more pervasive, even standardized practice of digital media culture. I argue that, over the last half-century, appropriation strategies in cinema have changed in correspondence with key shifts in the materiality of moving-image media, and artists and filmmakers have taken up these techniques as a means of addressing the ways in which images circulate through new technologies. Found-footage cinema, therefore, constitutes a sustained discourse about---and a methodology through which to explore---the role of the moving-image in the constitution and shaping of everyday experience, one carried out through an investigation of its evolving media materiality.
520
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The dissertation argues for this progression through a close examination of four key moments in experimental cinematic practice: the postwar North American cinematic avant-garde; the filmmakers associated with Lettrism, the Lettrist International, and the Situationist International; American and British video artists of the late 1970s and early 1980s; and contemporary moving-image artists working with digital media sourced from networked communities and archives.
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Ann Arbor, Mich. :
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ProQuest,
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2018
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Mode of access: World Wide Web
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Film studies.
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ProQuest Information and Learning Co.
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click for full text (PQDT)
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