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Understanding the Eurovision Song Co...
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SpringerLink (Online service)
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Understanding the Eurovision Song Contest in multicultural Australia/ by Jessica Carniel.
Reminder of title:
We Got Love /
Author:
Carniel, Jessica.
Published:
Cham :Springer International Publishing : : 2018.,
Description:
v, 123 p. :digital ; : 22 cm.;
Contained By:
Springer eBooks
Subject:
Popular music - Competitions - Europe. -
Online resource:
https://doi.org/10.1007/978-3-030-02315-7
ISBN:
9783030023157
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
Carniel, Jessica.
Understanding the Eurovision Song Contest in multicultural Australia
We Got Love /[electronic resource] :by Jessica Carniel. - Cham :Springer International Publishing :2018. - v, 123 p. :digital ;22 cm.
Chapter 1 - Introduction -- Chapter 2 - A tale of two broadcasters: the EBU and SBS -- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation -- Chapter 4 - Part of the party: celebrating Eurovision together -- Chapter 5 - 'We're a nation of proud multicultural dags': multiculturalism and viewer identities -- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia) -- Chapter 7 - "Every region of the world should have a -Vision": Eurovision in the Asian century -- Chapter 8 - Epilogue.
This book presents the first in-depth study of the Eurovision Song Contest from an Australian perspective. Using a cultural studies approach, the study draws together fan interviews and surveys with media and textual analysis of the contest itself. In doing so, it begins to answer the question of why the European song contest appeals to viewers in Australia. It explores and challenges the dominant narrative that links Eurovision fandom to post-WWII European migration, arguing that this Eurocentric narrative presents a limited view of how contemporary Australian multicultural society operates in the context of globalized culture. It concludes with a consideration of the future of the Eurovision Song Contest as Australia enters into the 'Asian century'.
ISBN: 9783030023157
Standard No.: 10.1007/978-3-030-02315-7doiSubjects--Meeting Names:
527686
Workshop on the Preservation of Stability under Discretization
Fort Collins, Colo.)(2001 :Subjects--Topical Terms:
1210440
Popular music
--Competitions--Europe.
LC Class. No.: ML76.E87 / C37 2018
Dewey Class. No.: 782.421640794
Understanding the Eurovision Song Contest in multicultural Australia = We Got Love /
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Chapter 1 - Introduction -- Chapter 2 - A tale of two broadcasters: the EBU and SBS -- Chapter 3 - Aussie-fying Eurovision: local commentary as media interpolation -- Chapter 4 - Part of the party: celebrating Eurovision together -- Chapter 5 - 'We're a nation of proud multicultural dags': multiculturalism and viewer identities -- Chapter 6 - From Mr Eurovision to Australian Idols: Australian performances (and performing Australia) -- Chapter 7 - "Every region of the world should have a -Vision": Eurovision in the Asian century -- Chapter 8 - Epilogue.
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This book presents the first in-depth study of the Eurovision Song Contest from an Australian perspective. Using a cultural studies approach, the study draws together fan interviews and surveys with media and textual analysis of the contest itself. In doing so, it begins to answer the question of why the European song contest appeals to viewers in Australia. It explores and challenges the dominant narrative that links Eurovision fandom to post-WWII European migration, arguing that this Eurocentric narrative presents a limited view of how contemporary Australian multicultural society operates in the context of globalized culture. It concludes with a consideration of the future of the Eurovision Song Contest as Australia enters into the 'Asian century'.
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Literature, Cultural and Media Studies (Springer-41173)
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