Performers and Practitioners.
Overview
| Works: | 71 works in 14 publications in 14 languages | |
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Titles
Dance, performance and visual art = intersections with material culture /
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Reflective affective dramaturgies of participatory theatre = Larping audiences into performance /
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Staging deaf and hearing theatre productions = a practical guide /
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Utpal Dutt's theatre = Continuities and Disjunctions in His Politics and Aesthetics /
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Experimental dance and the somatics of language = thinking in micromovement /
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Directing desire = intimacy choreography and consent in the twenty-first century /
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William forsythe's postdramatic dance theater = unsettling perception /
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Dancing Across the Lifespan = Negotiating Age, Place, and Purpose /
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Uday Shankar and His Transcultural Experimentations = Dancing Modernity /
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Romantic Actors, Romantic Dramas = British Tragedy on the Regency Stage /
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Bernard Shaw on the American Stage = A Chronicle of Premieres and Notable Revivals /
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Metatheatrical Dramaturgies of Violence = Staging the Role of Theatre /
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Contemporary Theatre Education and Creative Learning = A Great British Journey /
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20 Ground-Breaking Directors of Eastern Europe = 30 Years After the Fall of the Iron Curtain /
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Live Literature = The Experience and Cultural Value of Literary Performance Events from Salons to Festivals /
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Site, Dance and Body = Movement, Materials and Corporeal Engagement /
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The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance
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Performance and Posthumanism = Staging Prototypes of Composite Bodies /
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Theatre from Rhodesia to Zimbabwe = Hegemony, Identity and a Contested Postcolony /
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Black British Women's Theatre = Intersectionality, Archives, Aesthetics /
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Bernard Shaw and the Censors = Fights and Failures, Stage and Screen /
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The Applied Theatre Artist = Responsivity and Expertise in Practice /
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Contemporary African Dance Theatre = Phenomenology, Whiteness, and the Gaze /
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Applied Theatre and Sexual Health Communication = Apertures of Possibility /
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Perspectives on contemporary Irish theatre = populating the stage /
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Robert Lepage's scenographic dramaturgy = the aesthetic signature at work /
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Kinesthetic spectatorship in the theatre = phenomenology, cognition, movement /
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Performing music history = musicians speak first-hand about music history and performance /
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Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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Kinesthetic Spectatorship in the Theatre = Phenomenology, Cognition, Movement /
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Der Anti-Stress-Trainer für Assistenzen = Mit Souveränität und Gelassenheit das Sekretariat meistern /
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Reluctant Celebrity = Affect and Privilege in Contemporary Stardom /
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Thomas Hamblin and the Bowery Theatre = The New York Reign of "Blood and Thunder” Melodramas /
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Robert Lepage’s Scenographic Dramaturgy = The Aesthetic Signature at Work /
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Praxishandbuch Musiktheater für junges Publikum = Konzepte – Entwicklungen – Herausforderungen /
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Media Archaeology and Intermedial Performance = Deep Time of the Theatre /
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Topografie des Laiendarsteller-Diskurses = Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm /
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