English fiction - History and criticism. - 20th century

The Victorian woman question in contemporary feminist fiction by: (Language materials, printed)

Food, consumption, and the body in contemporary women's fiction by: (Language materials, printed)

Twentieth-century crime fiction by: (Language materials, printed)

Postcolonial fiction and disability = exceptional children, metaphor and materiality / by: (Language materials, printed)

Mysticism in the mid-century novel by: (Language materials, printed)

Reading the modern British and Irish novel, 1890-1930 by: (Language materials, printed)

The modern novel = a short introduction / by: (Language materials, printed)

The state of the novel = Britain and beyond / by: (Language materials, printed)

Reading the novel in English, 1950-2000 by: (Language materials, printed)

A concise companion to contemporary British fiction by: (Language materials, printed)

Graphing Jane Austen = the evolutionary basis of literary meaning / by: (Language materials, printed)

Gender and ventriloquism in Victorian and neo-Victorian fiction = passionate puppets / by: (Language materials, printed)

Unseasonable youth = modernism, colonialism, and the fiction of development / by: (Language materials, printed)

The Cambridge companion to Joseph Conrad by: (Language materials, printed)

The Cambridge companion to the modernist novel by: (Language materials, printed)

Madness in post-1945 British and American fiction by: (Language materials, printed)

Literature after Darwin = human beasts in western fiction, 1859-1939 / by: (Language materials, printed)

Front lines of modernism = remapping the Great War in British fiction / by: (Language materials, printed)

Neo-Victorian fiction and historical narrative = the Victorians and us / by: (Language materials, printed)

C. P. Snow = the dynamics of hope / by: (Language materials, printed)

Ford Madox Ford and the misfit moderns = Edwardian fiction and the first World War / by: (Language materials, printed)

Modernism and market fantasy = British fictions of capital, 1910-1939 / by: (Language materials, printed)

Femininity, crime and self-defence in Victorian literature and society = from dagger-fans to suffragettes / by: (Language materials, printed)

Literary epiphany in the novel, 1850-1950 = constellations of the soul / by: (Language materials, printed)

Feminine subjects in masculine fiction = modernity, will and desire, 1870-1910 / by: (Language materials, printed)

Semi-detached empire = suburbia and the colonization of Britain, 1880to the present / by: (Language materials, printed)

Spies and holy wars = the Middle East in 20th-century crime fiction / by: (Language materials, printed)

Museum trouble = Edwardian fiction and the emergence of modernism / by: (Language materials, printed)

Fictional dialogue = speech and conversationin the modern and postmodern novel / by: (Language materials, printed)

The Irish novel 1960-2010 by: (Language materials, printed)

Enchanted objects = visual art in contemporary fiction / by: (Language materials, printed)

British novelists in Hollywood, 1935-1965 : = travelers, exiles, and expats / by: (Language materials, printed)

Epistolary encounters in neo-victorian fiction : = diaries and letters / by: (Language materials, printed)

Fin-de-Siècle fictions, 1890s-1990s : = apocalypse, technoscience, empire / by: (Language materials, printed)

World Views = Metageographies of Modernist Fiction / by: (Language materials, printed)

Gender and representation in British 'golden age' crime fiction by: (Language materials, printed)

Reading the contemporary Irish novel = 1987-2007 / by: (Language materials, printed)

British working-class writing for children = scholarship boys in the mid-twentieth century / by: (Language materials, printed)

Weird fiction in Britain 1880-1939 by: (Language materials, printed)

Writing displacement = home and identity in contemporary post-colonial English fiction / by: (Language materials, printed)

Eating and identity in postcolonial fiction = consuming passions, unpalatable truths / by: (Language materials, printed)

Making sense of contemporary British Muslim novels by: (Language materials, printed)

Write in tune = contemporary music in fiction / by: (Language materials, printed)

National identities and imperfections in contemporary Irish literature = unbecoming Irishness / by: (Language materials, printed)

Ecocriticism in the modernist imagination = Forster, Woolf, and Auden / by: (Language materials, printed)

Shell shock, memory, and the novel in the wake of World War I by: (Language materials, printed)

The contemporary anglophone travel novel = the aesthetics of self-fashioning in the era of globalization / by: (Language materials, printed)

Food, consumption, and the body in contemporary women's fiction / by: (Language materials, printed)

Ecocriticism in the modernist imagination : = Forster, Woolf, and Auden / by: (Language materials, printed)

Ethics and nostalgia in the contemporary novel / by: (Language materials, printed)

Bachelors, manhood, and the novel, 1850-1925 / by: (Language materials, printed)

The Cambridge companion to the modernist novel / by: (Language materials, printed)

Ethics and narrative in the English novel, 1880-1914 / by: (Language materials, printed)

The modernist novel and the decline of empire / by: (Language materials, printed)

Modernism, romance, and the fin de siècle : = popular fiction and British culture, 1880-1914 / by: (Language materials, printed)

Shell shock, memory, and the novel in the wake of World War I / by: (Language materials, printed)

Modernism, narrative, and humanism / by: (Language materials, printed)

Emotions and contingencies in Conrad's fiction by: (Language materials, printed)

British fiction after modernism = the novel at mid-century / by: (Language materials, printed)

British fiction of the 1990s by: (Language materials, printed)

The Victorian woman question in contemporary feminist fiction by: (Language materials, printed)

The novel now = contemporary British fiction / by: (Language materials, printed)

Food, consumption, and the body in contemporary women's fiction by: (Language materials, printed)

Dark humor and social satire in the modern British novel by: (Language materials, printed)

Contemporary British fiction by: (Language materials, printed)

The contemporary British novel by: (Language materials, printed)