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Contemporary Art and Unforgetting in...
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Contemporary Art and Unforgetting in Colonial Landscapes = Islands of Empire /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Contemporary Art and Unforgetting in Colonial Landscapes/ by Kate McMillan.
Reminder of title:
Islands of Empire /
Author:
McMillan, Kate.
Description:
IX, 218 p. 34 illus., 30 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Culture. -
Online resource:
https://doi.org/10.1007/978-3-030-17290-9
ISBN:
9783030172909
Contemporary Art and Unforgetting in Colonial Landscapes = Islands of Empire /
McMillan, Kate.
Contemporary Art and Unforgetting in Colonial Landscapes
Islands of Empire /[electronic resource] :by Kate McMillan. - 1st ed. 2019. - IX, 218 p. 34 illus., 30 illus. in color.online resource. - Palgrave Macmillan Memory Studies,2634-6257. - Palgrave Macmillan Memory Studies,.
This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.
ISBN: 9783030172909
Standard No.: 10.1007/978-3-030-17290-9doiSubjects--Topical Terms:
556041
Culture.
LC Class. No.: HM621-656
Dewey Class. No.: 306
Contemporary Art and Unforgetting in Colonial Landscapes = Islands of Empire /
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This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.
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