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The Clay Writer = Shaping in Creativ...
~
Živković, Zoran.
The Clay Writer = Shaping in Creative Writing /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Clay Writer/ by Zoran Živković.
Reminder of title:
Shaping in Creative Writing /
Author:
Živković, Zoran.
Description:
XII, 136 p. 3 illus., 2 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Creative writing. -
Online resource:
https://doi.org/10.1007/978-3-030-19753-7
ISBN:
9783030197537
The Clay Writer = Shaping in Creative Writing /
Živković, Zoran.
The Clay Writer
Shaping in Creative Writing /[electronic resource] :by Zoran Živković. - 1st ed. 2019. - XII, 136 p. 3 illus., 2 illus. in color.online resource.
Part I Essays -- The Clay Writer -- Annotations 1 -- Part II Fiction -- The Telephone -- Sherlock Holmes’ Last Case: The Letter.-Fingernails -- Lost Illusions -- The First Loop -- Infernal Library -- Annotations 2.
This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.
ISBN: 9783030197537
Standard No.: 10.1007/978-3-030-19753-7doiSubjects--Topical Terms:
568798
Creative writing.
LC Class. No.: PN171.4-239
Dewey Class. No.: 808.02
The Clay Writer = Shaping in Creative Writing /
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This concise book by the well-known Serbian writer and literary researcher summarizes his decade-long experience of teaching creative writing at the Faculty of Philology, University of Belgrade. Always offering attendees four good reasons for not attending his course, or, in a broader perspective, discouraging them from professional writing altogether, the author reflects ultimately on what it really takes to become a writer of literary fiction. This essay, which makes up the first part of this work, is complemented by a selection of witty short stories, forming the second part, and which have been used as templates in the teaching context.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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