國立虎尾科技大學 |

Street Art and Democracy in Latin America

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Street Art and Democracy in Latin America/ by Olivier Dabène.
Author:	Dabène, Olivier.
Description:	XVII, 261 p. 22 illus., 10 illus. in color.online resource. :
Contained By:	Springer Nature eBook
Subject:	Latin America—Politics and government. -
Online resource:	https://doi.org/10.1007/978-3-030-26913-5
ISBN:	9783030269135

Street Art and Democracy in Latin America
Dabène, Olivier.

Street Art and Democracy in Latin America[electronic resource] /by Olivier Dabène. - 1st ed. 2020. - XVII, 261 p. 22 illus., 10 illus. in color.online resource. - Studies of the Americas. - Studies of the Americas.

Chapter 1: Introduction -- Chapter 2: Analytical framework -- Chapter 3: Bogota. Public space between appropriation and deliberation -- Chapter 4: São Paulo. Pixadores’ public scream of hate -- Chapter 5: Valparaíso. A tale of murals, tags and world heritage -- Chapter 6: Oaxaca. Revolutionary art and the (difficult) quest for democracy -- Chapter 7: Havana. Going public, no matter what -- Chapter 8: Conclusion. Street art and democracy. Lessons learned.

“This book is a striking example of the ‘cultural turn’ that has gained momentum as more orthodox approaches to the study of democracy have displayed their limitations. Olivier Dabène demonstrates convincingly that this is a buoyant, widespread and influential counterpart to the sub-continent’s more recognized outlets of political-cum-artistic expression. These innovations are particularly vivid and provocative in the five Latin American cities he has studied. The author brings to life an impressive range of talented young street artists, and helps the reader to appreciate both their distinctive histories and their collective interactions.” —Laurence Whitehead, Senior Research Fellow, Politics, Nuffield College, Oxford University, UK This book explores street art’s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), São Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy. Olivier Dabène is Professor of Political Science at the Paris Institute of Political Studies (Sciences Po). He is also Senior Researcher at the Center for International Studies (CERI) and President of the Political Observatory of Latin America and the Caribbean (OPALC), both at Sciences Po, France. .

ISBN: 9783030269135

Standard No.: 10.1007/978-3-030-26913-5doiSubjects--Topical Terms:

1256112
Latin America—Politics and government.

LC Class. No.: JL950-969

Dewey Class. No.: 320.4

Street Art and Democracy in Latin America
LDR:03858nam a22004095i 4500 001 1024440
003 DE-He213
005 20200706001213.0
007 cr nn 008mamaa
008 210318s2020 gw | s |||| 0|eng d
020 $a 9783030269135 $9 978-3-030-26913-5
024 7 $a 10.1007/978-3-030-26913-5 $2 doi
035 $a 978-3-030-26913-5
050 4 $a JL950-969
072 7 $a JP $2 bicssc
072 7 $a POL057000 $2 bisacsh
072 7 $a JP $x 1KL $2 thema
082 0 4 $a 320.4 $2 23
100 1 $a Dabène, Olivier. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1320590
245 1 0 $a Street Art and Democracy in Latin America $h [electronic resource] / $c by Olivier Dabène.
250 $a 1st ed. 2020.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a XVII, 261 p. 22 illus., 10 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Studies of the Americas
505 0 $a Chapter 1: Introduction -- Chapter 2: Analytical framework -- Chapter 3: Bogota. Public space between appropriation and deliberation -- Chapter 4: São Paulo. Pixadores’ public scream of hate -- Chapter 5: Valparaíso. A tale of murals, tags and world heritage -- Chapter 6: Oaxaca. Revolutionary art and the (difficult) quest for democracy -- Chapter 7: Havana. Going public, no matter what -- Chapter 8: Conclusion. Street art and democracy. Lessons learned.
520 $a “This book is a striking example of the ‘cultural turn’ that has gained momentum as more orthodox approaches to the study of democracy have displayed their limitations. Olivier Dabène demonstrates convincingly that this is a buoyant, widespread and influential counterpart to the sub-continent’s more recognized outlets of political-cum-artistic expression. These innovations are particularly vivid and provocative in the five Latin American cities he has studied. The author brings to life an impressive range of talented young street artists, and helps the reader to appreciate both their distinctive histories and their collective interactions.” —Laurence Whitehead, Senior Research Fellow, Politics, Nuffield College, Oxford University, UK This book explores street art’s contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), São Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy. Olivier Dabène is Professor of Political Science at the Paris Institute of Political Studies (Sciences Po). He is also Senior Researcher at the Center for International Studies (CERI) and President of the Political Observatory of Latin America and the Caribbean (OPALC), both at Sciences Po, France. .
650 0 $a Latin America—Politics and government. $3 1256112
650 0 $a Comparative politics. $2 bicssc $3 937867
650 0 $a International relations. $3 554886
650 1 4 $a Latin American Politics. $3 1108391
650 2 4 $a Comparative Politics. $3 884817
650 2 4 $a International Relations Theory. $3 1140677
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030269128
776 0 8 $i Printed edition: $z 9783030269142
776 0 8 $i Printed edition: $z 9783030269159
830 0 $a Studies of the Americas $3 1268423
856 4 0 $u https://doi.org/10.1007/978-3-030-26913-5
912 $a ZDB-2-POS
912 $a ZDB-2-SXPI
950 $a Political Science and International Studies (SpringerNature-41174)
950 $a Political Science and International Studies (R0) (SpringerNature-43724)