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The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey/ by Evren Özselçuk.
Author:
Özselçuk, Evren.
Description:
IX, 186 p.online resource. :
Contained By:
Springer Nature eBook
Subject:
Cultural Theory. -
Online resource:
https://doi.org/10.1007/978-3-031-04666-7
ISBN:
9783031046667
The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey
Özselçuk, Evren.
The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey
[electronic resource] /by Evren Özselçuk. - 1st ed. 2022. - IX, 186 p.online resource.
1. Introduction -- 2. Concepts and Frameworks: Taşra from Modernization to Globalization -- 3. Taşra, Temporality, and Melancholia in Orhan Pamuk’s Istanbul -- 4. Fatih Akın’s Crossing the Bridge: Turkey as Europe’s Taşra, or Limitations of a Metaphor -- 5. Provincializing The Metropolitan Center: Nuri Bilge Ceylan’s Taşras -- 6. Conclusion.
This book explores Turkey’s complicated relationship to modernity and its status within the new global order by tracing the ambivalent ways in which taşra (the provinces) is constituted in contemporary Turkish cinema and literature. Connoting much more than its immediate spatial meaning as those places outside of the center(s), taşra is a way of naming what modernity decries as spatial peripherality, temporal belatedness, and cultural backwardness. It has functioned historically as a psychosocial repository for what Turkish modernity degrades and disavows, enabling a mapping of the predicaments and contradictions of Turkish modernization and national identity-constitution. Organized around taşra as its central analytic and informed by postcolonial, psychoanalytical, and critical theory, the book examines the extent to which dominant codings of taşra are affirmed and/or complicated in cinematic and literary narratives by award-winning filmmakers Nuri Bilge Ceylan and Fatih Akın and Nobel laureate Orhan Pamuk. Evren Özselçuk teaches in the Department of English and the Film and Media Studies Program at the University of South Carolina, USA.
ISBN: 9783031046667
Standard No.: 10.1007/978-3-031-04666-7doiSubjects--Topical Terms:
1108078
Cultural Theory.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4094
The Provincial and The Postcolonial in Cultural Texts from Late Modern Turkey
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1. Introduction -- 2. Concepts and Frameworks: Taşra from Modernization to Globalization -- 3. Taşra, Temporality, and Melancholia in Orhan Pamuk’s Istanbul -- 4. Fatih Akın’s Crossing the Bridge: Turkey as Europe’s Taşra, or Limitations of a Metaphor -- 5. Provincializing The Metropolitan Center: Nuri Bilge Ceylan’s Taşras -- 6. Conclusion.
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This book explores Turkey’s complicated relationship to modernity and its status within the new global order by tracing the ambivalent ways in which taşra (the provinces) is constituted in contemporary Turkish cinema and literature. Connoting much more than its immediate spatial meaning as those places outside of the center(s), taşra is a way of naming what modernity decries as spatial peripherality, temporal belatedness, and cultural backwardness. It has functioned historically as a psychosocial repository for what Turkish modernity degrades and disavows, enabling a mapping of the predicaments and contradictions of Turkish modernization and national identity-constitution. Organized around taşra as its central analytic and informed by postcolonial, psychoanalytical, and critical theory, the book examines the extent to which dominant codings of taşra are affirmed and/or complicated in cinematic and literary narratives by award-winning filmmakers Nuri Bilge Ceylan and Fatih Akın and Nobel laureate Orhan Pamuk. Evren Özselçuk teaches in the Department of English and the Film and Media Studies Program at the University of South Carolina, USA.
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