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The paradoxes of art : = a phenomenological investigation /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	The paradoxes of art :/ Alan Paskow.
Reminder of title:	a phenomenological investigation /
Author:	Paskow, Alan,
Description:	1 online resource (xi, 260 pages) :digital, PDF file(s). :
Notes:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Subject:	Aesthetics. -
Online resource:	https://doi.org/10.1017/CBO9780511616280
ISBN:	9780511616280 (ebook)

The paradoxes of art : = a phenomenological investigation /
Paskow, Alan,1939-

The paradoxes of art :a phenomenological investigation /Alan Paskow. - 1 online resource (xi, 260 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to painting, demonstrating that certain paintings beckon us to view their contents as real. As emblematic of the fundamental concerns of our lives, paintings, he argues, are not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.

ISBN: 9780511616280 (ebook)Subjects--Topical Terms:

555008
Aesthetics.

LC Class. No.: BH301.R42 / P37 2004

Dewey Class. No.: 111/.85

The paradoxes of art : = a phenomenological investigation /
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020 $z 9780521828338 (hardback)
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050 0 0 $a BH301.R42 $b P37 2004
082 0 0 $a 111/.85 $2 21
100 1 $a Paskow, Alan, $d 1939- $e author. $3 1439347
245 1 4 $a The paradoxes of art : $b a phenomenological investigation / $c Alan Paskow.
264 1 $a Cambridge : $b Cambridge University Press, $c 2004.
300 $a 1 online resource (xi, 260 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
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500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
520 $a In this study, Alan Paskow first asks why fictional characters, such as Hamlet and Anna Karenina, matter to us and how they emotionally affect us. He then applies these questions to painting, demonstrating that certain paintings beckon us to view their contents as real. As emblematic of the fundamental concerns of our lives, paintings, he argues, are not simply in our heads but in our world. Paskow also situates the phenomenological approach to the experience of painting in relation to contemporary schools of thought, particularly Marxist, feminist, and deconstructionist.
650 0 $a Aesthetics. $3 555008
650 0 $a Reality in art. $3 799435
650 0 $a Painting $x Philosophy. $3 799434
650 0 $a Reality in literature. $3 799436
650 0 $a Belief, Problem of (Literature) $3 799433
650 0 $a Phenomenology. $3 555526
776 0 8 $i Print version: $z 9780521828338
856 4 0 $u https://doi.org/10.1017/CBO9780511616280

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