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Maxwell, Sutton, and the birth of color photography = a binocular study /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Maxwell, Sutton, and the birth of color photography/ Jordi Cat.
Reminder of title:	a binocular study /
Author:	Cat, Jordi.
Published:	[S.l.] :Palgrave Macmillan, : c2013,
Description:	1 online resource (p.)
Subject:	Color photography - History - 19th century. -
Online resource:	http://www.palgraveconnect.com/doifinder/10.1057/9781137338310
ISBN:	9781137338310 (electronic bk.)

Maxwell, Sutton, and the birth of color photography = a binocular study /
Cat, Jordi.

Maxwell, Sutton, and the birth of color photographya binocular study /[electronic resource] :Jordi Cat. - [S.l.] :Palgrave Macmillan,c2013 - 1 online resource (p.)

1. Introduction: shared media, differing projects and projections -- 2. Enter Maxwell -- 3. Photographic illustrations -- 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific -- 5. Photography organized and scientific: from amateurs to professionals -- 6. Photography as instrument and profession: Art versus science -- 7. Photographic collaborations: two more cases -- 8. Maxwell's pictorial and photographic background -- 9. Methodology of experimental inaction -- 10. Enter Sutton -- 11. The place of collaboration and chemistry between men -- 12. Technologies of projection and color: Different problems and images. Color and truth. -- 13. A Tale of two experiments: From professional to cognitive autonomy -- 14. Photographic consequences -- 15. Conclusion.

The 1861 collaboration between physicist James Clerk Maxwell and photographer Thomas Sutton was a landmark episode in the history of optics and photography, resulting in the famous "Tartan ribbon" image: the first permanent color photograph in history. This focused and incisive study from Maxwell scholar Jordi Cat reassesses this partnership, situating it within the histories of objectivity, experiment, and collaboration. Cat reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of Victorian technology, representational practices, and modes of participation in Maxwell's natural philosophy.

ISBN: 9781137338310 (electronic bk.)

Source: 667743Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

941722
Maxwell, James Clerk,
1831-1879.Subjects--Topical Terms:

941724
Color photography
--History--19th century.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: TR510 / .C38 2013

Dewey Class. No.: 778.6

Maxwell, Sutton, and the birth of color photography = a binocular study /
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245 1 0 $a Maxwell, Sutton, and the birth of color photography $h [electronic resource] : $b a binocular study / $c Jordi Cat.
260 $a [S.l.] : $b Palgrave Macmillan, $c c2013
300 $a 1 online resource (p.)
505 0 $a 1. Introduction: shared media, differing projects and projections -- 2. Enter Maxwell -- 3. Photographic illustrations -- 4. What objectivity? Whose objectivity? Automatic objectivity is social and scientific -- 5. Photography organized and scientific: from amateurs to professionals -- 6. Photography as instrument and profession: Art versus science -- 7. Photographic collaborations: two more cases -- 8. Maxwell's pictorial and photographic background -- 9. Methodology of experimental inaction -- 10. Enter Sutton -- 11. The place of collaboration and chemistry between men -- 12. Technologies of projection and color: Different problems and images. Color and truth. -- 13. A Tale of two experiments: From professional to cognitive autonomy -- 14. Photographic consequences -- 15. Conclusion.
520 $a The 1861 collaboration between physicist James Clerk Maxwell and photographer Thomas Sutton was a landmark episode in the history of optics and photography, resulting in the famous "Tartan ribbon" image: the first permanent color photograph in history. This focused and incisive study from Maxwell scholar Jordi Cat reassesses this partnership, situating it within the histories of objectivity, experiment, and collaboration. Cat reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of Victorian technology, representational practices, and modes of participation in Maxwell's natural philosophy.
588 $a Description based on online resource; title from title details screen (Palgrave Connect, viewed July 17, 2013).
600 1 0 $a Maxwell, James Clerk, $d 1831-1879. $3 941722
600 1 0 $a Sutton, Thomas, $d 1818-1875. $3 941723
650 0 $a Color photography $x History $y 19th century. $3 941724
650 7 $a PHOTOGRAPHY / Techniques / Color $2 bisacsh $3 941725
655 4 $a Electronic books. $2 local $3 554714
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137338310
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