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Psychology and philosophy of abstrac...
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Hackett, Paul M.W.
Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Psychology and philosophy of abstract art/ by Paul M.W. Hackett.
Reminder of title:
neuro-aesthetics, perception and comprehension /
Author:
Hackett, Paul M.W.
Published:
London :Palgrave Macmillan UK : : 2016.,
Description:
xxiii, 140 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Art, Abstract. -
Online resource:
http://dx.doi.org/10.1057/978-1-137-48332-4
ISBN:
9781137483324
Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /
Hackett, Paul M.W.
Psychology and philosophy of abstract art
neuro-aesthetics, perception and comprehension /[electronic resource] :by Paul M.W. Hackett. - London :Palgrave Macmillan UK :2016. - xxiii, 140 p. :ill., digital ;24 cm.
Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.
This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
ISBN: 9781137483324
Standard No.: 10.1057/978-1-137-48332-4doiSubjects--Topical Terms:
1108536
Art, Abstract.
LC Class. No.: N6494.A2
Dewey Class. No.: 709.04052
Psychology and philosophy of abstract art = neuro-aesthetics, perception and comprehension /
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Preface -- Chapter 1. Defining Two-Dimensional Abstract Art -- Chapter 2. Theorising Perception -- Chapter 3. Expanding Theoretical Complexity -- Chapter 4. Perceptual Content, Process and Categorial Ontologies -- Chapter 5. Mapping Sentence and Partial Order Mereology for Perceiving Abstract Art.
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This book examines how we perceive and understand abstract art in contrast to artworks that represent reality. Philosophical, psychological and neuroscience research, including the work of philosopher Paul Crowther, are considered and out of these approaches a complex model is developed to account for this experience. The understanding embodied in this model is rooted in facet theory, mapping sentences and partially ordered analyses, which together provide a comprehensive understanding of the perceptual experience of abstract art.
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Behavioral Science and Psychology (Springer-41168)
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