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Black Hollywood = from butlers to superheroes, the changing role of African American men in the movies /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Black Hollywood/ Kimberly Fain.
Reminder of title:	from butlers to superheroes, the changing role of African American men in the movies /
Author:	Fain, Kimberly,
Published:	Santa Barbara, Calif. :Praeger, an imprint of ABC-Clio, Llc, : [2015],
Description:	1 online resource (xxi, 251 p.)
Subject:	African American men in motion pictures. -
Online resource:	http://ebooks.abc-clio.com/?isbn=9781440831911
ISBN:	9781440831911 (e-book)

Black Hollywood = from butlers to superheroes, the changing role of African American men in the movies /
Fain, Kimberly,1974-

Black Hollywoodfrom butlers to superheroes, the changing role of African American men in the movies /[electronic resource] :Kimberly Fain. - Santa Barbara, Calif. :Praeger, an imprint of ABC-Clio, Llc,[2015] - 1 online resource (xxi, 251 p.)

Includes bibliographical references (pages 231-238) and index.

Introduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from Jim Crow era to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era to the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: In the age of Obama's hope and change -- Conclusion.

ISBN: 9781440831911 (e-book)Subjects--Topical Terms:

1155438
African American men in motion pictures.

LC Class. No.: PN1995.9.N4 / F36 2015

Dewey Class. No.: 791.43/6521108996073

Black Hollywood = from butlers to superheroes, the changing role of African American men in the movies /
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504 $a Includes bibliographical references (pages 231-238) and index.
505 0 $a Introduction: appropriation, exploitation, and agency of black performers in Hollywood -- Black images from Jim Crow era to the McCarthy era of blacklisting. 1910s: whites in blackface and the sexually depraved black Mandingo-The birth of a nation -- 1920s: Oscar Micheaux's response to blackface and D.W. Griffith -- 1930s: the Hays Moral Code and Jim Crow-The emperor Jones and Gone with the wind -- 1940s: Bill "Bojangles" Robinson and Lincoln "Stepin Fetchit" Perry: black servants in musicals and comedies -- 1950s: McCarthyism and blacklisting: Canada Lee and Paul Robeson -- Black images from the apex of the civil rights era to the age of Barack Obama -- 1960s: token black actors in the civil rights age: Sidney Poitier and Harry Belafonte -- 1970s: blaxploitation: preachers, pimps, pushers, and players -- 1980s: black comedians rule: in the age of Eddie Murphy and Richard Pryor -- 1990s: gangsta rappers transcend music: Ice Cube, Ice-T, DMX, Nas, and 2pac -- 2000s: black icons: control, agency, and self-appropriation: Spike Lee, Tyler Perry and Will Smith -- 2010s: black power Hollywood: In the age of Obama's hope and change -- Conclusion.
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650 0 $a Masculinity in motion pictures. $3 835471
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