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British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	British Broadcasting and the public-private dichotomy/ by Simon Dawes.
Reminder of title:	neoliberalism, citizenship and the public sphere /
Author:	Dawes, Simon.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xiv, 239 p. :ill., digital ; : 24 cm.;
Contained By:	Springer eBooks
Subject:	Television - Social aspects - Great Britain. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-50097-3
ISBN:	9783319500973

British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /
Dawes, Simon.

British Broadcasting and the public-private dichotomyneoliberalism, citizenship and the public sphere /[electronic resource] :by Simon Dawes. - Cham :Springer International Publishing :2017. - xiv, 239 p. :ill., digital ;24 cm.

1. Broadcasting Regulation, History and Theory -- 2. Geneology, Critique and the Public-Private Dichotomy -- 3. Broadcasting and the Public Sphere -- 4. Broadcasting, Citizenship and Consumption -- 5. Broadcasting and Neoliberalism -- 6. Problematising Public Control, Service, Interest and Value -- 7. Problematising the Public, Citizens and Consumers -- 8. Problematising Monopoly, Competition and Choice. - 9. The Social, the Political and the Public Sphere -- 10. Individualization, Voice and Citizenship -- 11. Neoliberalization as Discursive Process -- 12. Why the Public-Private Dichotomy Still Matters.

This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point. Unlike most books on broadcasting, this text adopts an explicitly Foucauldian and genealogical perspective in its account of media history and power, and unpicks how the meanings of terms such as 'public service' and 'public interest', as well as 'competition' and 'choice', have evolved over time. In considering the appropriation by broadcasting scholars of concepts such as neoliberalism, citizenship and the public sphere to a critical account of broadcasting history, the book assesses their appropriateness and efficacy by engaging with interdisciplinary debates on each concept. This work will be of particular significance to academics and students with an interest in media theory, history, policy and regulation, as well as those disposed to understanding as well as critiquing the neoliberalization of public media.

ISBN: 9783319500973

Standard No.: 10.1007/978-3-319-50097-3doiSubjects--Corporate Names:

1115570
British Broadcasting Corporation.
Subjects--Topical Terms:

1199088
Television
--Social aspects--Great Britain.

LC Class. No.: HE8689.9.G7 / D39 2017

Dewey Class. No.: 384.540941

British Broadcasting and the public-private dichotomy = neoliberalism, citizenship and the public sphere /
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520 $a This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point. Unlike most books on broadcasting, this text adopts an explicitly Foucauldian and genealogical perspective in its account of media history and power, and unpicks how the meanings of terms such as 'public service' and 'public interest', as well as 'competition' and 'choice', have evolved over time. In considering the appropriation by broadcasting scholars of concepts such as neoliberalism, citizenship and the public sphere to a critical account of broadcasting history, the book assesses their appropriateness and efficacy by engaging with interdisciplinary debates on each concept. This work will be of particular significance to academics and students with an interest in media theory, history, policy and regulation, as well as those disposed to understanding as well as critiquing the neoliberalization of public media.
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