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The precarious in the cinemas of the...
~
Sitnisky, Carolina.
The precarious in the cinemas of the Americas
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The precarious in the cinemas of the Americas/ edited by Constanza Burucua, Carolina Sitnisky.
other author:
Burucua, Constanza.
Published:
Cham :Springer International Publishing : : 2018.,
Description:
xx, 301 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Motion pictures - Latin America. -
Online resource:
http://dx.doi.org/10.1007/978-3-319-76807-6
ISBN:
9783319768076
The precarious in the cinemas of the Americas
The precarious in the cinemas of the Americas
[electronic resource] /edited by Constanza Burucua, Carolina Sitnisky. - Cham :Springer International Publishing :2018. - xx, 301 p. :ill., digital ;24 cm. - Global cinema. - Global cinema..
Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
ISBN: 9783319768076
Standard No.: 10.1007/978-3-319-76807-6doiSubjects--Topical Terms:
808051
Motion pictures
--Latin America.
LC Class. No.: PN1993.5.L3
Dewey Class. No.: 791.43098
The precarious in the cinemas of the Americas
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edited by Constanza Burucua, Carolina Sitnisky.
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Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
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Literature, Cultural and Media Studies (Springer-41173)
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