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Spectatorship and film theory = the wayward spectator /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Spectatorship and film theory/ by Carlo Comanducci.
Reminder of title:	the wayward spectator /
Author:	Comanducci, Carlo.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	vii, 208 p. :digital ; : 22 cm.;
Contained By:	Springer eBooks
Subject:	Motion picture audiences. -
Online resource:	https://doi.org/10.1007/978-3-319-96743-1
ISBN:	9783319967431

Spectatorship and film theory = the wayward spectator /
Comanducci, Carlo.

Spectatorship and film theorythe wayward spectator /[electronic resource] :by Carlo Comanducci. - Cham :Springer International Publishing :2018. - vii, 208 p. :digital ;22 cm.

1. Introduction: Film theory, a divided passion? -- 2. The heteronomy of subjectivity and the spectator's emancipation -- 3. Everyday film theory -- 4. Situatedness and contingency of film experience -- 5. The process of free association and film as an evocative object -- 6. The indeterminacy of embodiment -- 7. The spectator as a history of encounters.

This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Ranciere's emancipated spectator with Judith Butler's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions--a "wayward" history of encounters.

ISBN: 9783319967431

Standard No.: 10.1007/978-3-319-96743-1doiSubjects--Topical Terms:

870461
Motion picture audiences.

LC Class. No.: PN1995.9.A8 / C66 2018

Dewey Class. No.: 302.2343

Spectatorship and film theory = the wayward spectator /
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520 $a This book interrogates the relation between film spectatorship and film theory in order to criticise some of the disciplinary and authoritarian assumptions of 1970s apparatus theory, without dismissing its core political concerns. Theory, in this perspective, should not be seen as a practice distinct from spectatorship but rather as an integral aspect of the spectator's gaze. Combining Jacques Ranciere's emancipated spectator with Judith Butler's queer theory of subjectivity, Spectatorship and Film Theory foregrounds the contingent, embodied and dialogic aspects of our experience of film. Erratic and always a step beyond the grasp of disciplinary discourse, this singular work rejects the notion of the spectator as a fixed position, and instead presents it as a field of tensions--a "wayward" history of encounters.
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