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The economics of the popular music i...
~
Byun, Chong Hyun Christie.
The economics of the popular music industry
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The economics of the popular music industry/ by Chong Hyun Christie Byun.
Author:
Byun, Chong Hyun Christie.
Published:
New York :Palgrave Macmillan US : : 2016.,
Description:
viii, 128 p. :ill., digital ; : 24 cm.;
Contained By:
Springer eBooks
Subject:
Music trade. -
Online resource:
https://doi.org/10.1057/9781137467058
ISBN:
9781137467058
The economics of the popular music industry
Byun, Chong Hyun Christie.
The economics of the popular music industry
[electronic resource] /by Chong Hyun Christie Byun. - New York :Palgrave Macmillan US :2016. - viii, 128 p. :ill., digital ;24 cm.
This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
ISBN: 9781137467058
Standard No.: 10.1057/9781137467058doiSubjects--Topical Terms:
657021
Music trade.
LC Class. No.: ML3790 / .B98 2016
Dewey Class. No.: 338.4778
The economics of the popular music industry
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by Chong Hyun Christie Byun.
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2016.
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viii, 128 p. :
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ill., digital ;
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24 cm.
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This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
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Economics and Finance (Springer-41170)
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