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Hugo Chávez, Alí Primera and Venezue...
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Hugo Chávez, Alí Primera and Venezuela = The Politics of Music in Latin America /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Hugo Chávez, Alí Primera and Venezuela/ by Hazel Marsh.
Reminder of title:
The Politics of Music in Latin America /
Author:
Marsh, Hazel.
Description:
IX, 239 p. 10 illus., 8 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Civilization—History. -
Online resource:
https://doi.org/10.1057/978-1-137-57968-3
ISBN:
9781137579683
Hugo Chávez, Alí Primera and Venezuela = The Politics of Music in Latin America /
Marsh, Hazel.
Hugo Chávez, Alí Primera and Venezuela
The Politics of Music in Latin America /[electronic resource] :by Hazel Marsh. - 1st ed. 2016. - IX, 239 p. 10 illus., 8 illus. in color.online resource. - Palgrave Studies in the History of Subcultures and Popular Music,2730-9517. - Palgrave Studies in the History of Subcultures and Popular Music,.
Introduction: Popular Music and Politics in Latin America -- 1. Latin American New Song in the 1960s: The Leftist Revival of Folk Traditions -- 2. The Development of New Song in Venezuela in the 1970s: Alí Primera and Canción Necesaria -- 3. Collective Memories of Alí Primera in the Late Punto Fijo Period (1985-1989) -- 4. Hugo Chávez and Alí Primera in the 1990s: ‘together in hope and song’ -- 5. Alí Primera and Venezuelan Cultural Policy in the Twenty-First Century -- 6. Alí Primera’s Canción Necesaria and Chavismo -- Conclusion: Latin American New Song: An Enduring Legacy.
Unlike much of the literature on Venezuela in the Chávez period, this book shifts focus away from 'top down' perspectives to examine how Venezuelan folksinger Alí Primera (1942-1985) became intertwined with Venezuelan politics, both during his lifetime and posthumously. Alí’s ‘Necessary Songs’ offered cultural resources that enabled Chávez to connect with pre-existing patterns of grassroots activism in ways that resonated deeply with the poor and marginalised masses. Official support for Alí’s legacy led the songs to be used in new ways in the Chávez period, as Venezuelans actively engaged with them to redefine themselves in relation to the state and to reach new understandings of their place within a changed society. This book is essential reading not only for those interested in popular music and politics, but for all those seeking to better understand how Chávez was able to successfully identify himself so profoundly with the Venezuelan masses, and they with him. .
ISBN: 9781137579683
Standard No.: 10.1057/978-1-137-57968-3doiSubjects--Topical Terms:
1254101
Civilization—History.
LC Class. No.: CB3-481
Dewey Class. No.: 306.09
Hugo Chávez, Alí Primera and Venezuela = The Politics of Music in Latin America /
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Introduction: Popular Music and Politics in Latin America -- 1. Latin American New Song in the 1960s: The Leftist Revival of Folk Traditions -- 2. The Development of New Song in Venezuela in the 1970s: Alí Primera and Canción Necesaria -- 3. Collective Memories of Alí Primera in the Late Punto Fijo Period (1985-1989) -- 4. Hugo Chávez and Alí Primera in the 1990s: ‘together in hope and song’ -- 5. Alí Primera and Venezuelan Cultural Policy in the Twenty-First Century -- 6. Alí Primera’s Canción Necesaria and Chavismo -- Conclusion: Latin American New Song: An Enduring Legacy.
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Unlike much of the literature on Venezuela in the Chávez period, this book shifts focus away from 'top down' perspectives to examine how Venezuelan folksinger Alí Primera (1942-1985) became intertwined with Venezuelan politics, both during his lifetime and posthumously. Alí’s ‘Necessary Songs’ offered cultural resources that enabled Chávez to connect with pre-existing patterns of grassroots activism in ways that resonated deeply with the poor and marginalised masses. Official support for Alí’s legacy led the songs to be used in new ways in the Chávez period, as Venezuelans actively engaged with them to redefine themselves in relation to the state and to reach new understandings of their place within a changed society. This book is essential reading not only for those interested in popular music and politics, but for all those seeking to better understand how Chávez was able to successfully identify himself so profoundly with the Venezuelan masses, and they with him. .
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