國立虎尾科技大學 |

Music and the Environment in Dystopian Narrative = Sounding the Disaster /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Music and the Environment in Dystopian Narrative/ by Heidi Hart.
Reminder of title:	Sounding the Disaster /
Author:	Hart, Heidi.
Description:	XII, 100 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Literature, Modern—20th century. -
Online resource:	https://doi.org/10.1007/978-3-030-01815-3
ISBN:	9783030018153

Music and the Environment in Dystopian Narrative = Sounding the Disaster /
Hart, Heidi.

Music and the Environment in Dystopian NarrativeSounding the Disaster /[electronic resource] :by Heidi Hart. - 1st ed. 2018. - XII, 100 p.online resource. - Palgrave Studies in Music and Literature. - Palgrave Studies in Music and Literature.

1. Introduction -- 2. Mozart in Space: A Love Story -- 3. Apocalyptic Body Song: The Book of Joan -- 4. Fossil Opera: Persephone in the Late Anthropocene -- 5. Mozart on Ice: Expedition to the End of the World -- 6. Sounding the Hurricane: Mahagonny -- 7. Conclusion: Topical and Indigenous Perspectives.

Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way. .

ISBN: 9783030018153

Standard No.: 10.1007/978-3-030-01815-3doiSubjects--Topical Terms:

1254198
Literature, Modern—20th century.

LC Class. No.: PN695-779

Dewey Class. No.: 809

Music and the Environment in Dystopian Narrative = Sounding the Disaster /
LDR:02704nam a22004095i 4500 001 987796
003 DE-He213
005 20200705150211.0
007 cr nn 008mamaa
008 201225s2018 gw | s |||| 0|eng d
020 $a 9783030018153 $9 978-3-030-01815-3
024 7 $a 10.1007/978-3-030-01815-3 $2 doi
035 $a 978-3-030-01815-3
050 4 $a PN695-779
072 7 $a DSBH $2 bicssc
072 7 $a LIT024000 $2 bisacsh
072 7 $a DSBH $2 thema
082 0 4 $a 809 $2 23
100 1 $a Hart, Heidi. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1210432
245 1 0 $a Music and the Environment in Dystopian Narrative $h [electronic resource] : $b Sounding the Disaster / $c by Heidi Hart.
250 $a 1st ed. 2018.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a XII, 100 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Studies in Music and Literature
505 0 $a 1. Introduction -- 2. Mozart in Space: A Love Story -- 3. Apocalyptic Body Song: The Book of Joan -- 4. Fossil Opera: Persephone in the Late Anthropocene -- 5. Mozart on Ice: Expedition to the End of the World -- 6. Sounding the Hurricane: Mahagonny -- 7. Conclusion: Topical and Indigenous Perspectives.
520 $a Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way. .
650 0 $a Literature, Modern—20th century. $3 1254198
650 0 $a Literature, Modern—21st century. $3 1255929
650 0 $a America—Literatures. $3 1254197
650 0 $a Music. $3 649088
650 1 4 $a Contemporary Literature. $3 1108131
650 2 4 $a North American Literature. $3 1106125
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030018146
776 0 8 $i Printed edition: $z 9783030018160
776 0 8 $i Printed edition: $z 9783030131968
830 0 $a Palgrave Studies in Music and Literature $3 1280204
856 4 0 $u https://doi.org/10.1007/978-3-030-01815-3
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)