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Performing Music History = Musicians...
~
Tibbetts, John C.
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Performing Music History/ edited by John C. Tibbetts, Michael Saffle, William A. Everett.
Reminder of title:
Musicians Speak First-Hand about Music History and Performance /
other author:
Tibbetts, John C.
Description:
XXIV, 362 p. 63 illus., 39 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Popular Culture. -
Online resource:
https://doi.org/10.1007/978-3-319-92471-7
ISBN:
9783319924717
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
Performing Music History
Musicians Speak First-Hand about Music History and Performance /[electronic resource] :edited by John C. Tibbetts, Michael Saffle, William A. Everett. - 1st ed. 2018. - XXIV, 362 p. 63 illus., 39 illus. in color.online resource.
1. Introduction -- 2. Medieval and Early Modern Music -- 3. Late Baroque Music -- 4. A Clutch of Instruments -- 5. Classical and Early Romantic Music -- 6. The Romantic Piano -- 7. From Romanticism Toward Modernism -- 8. The Art of The Accompanist -- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries -- 10. On Stage And Screen -- 11. Engaging Audiences.
Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists—singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats—provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.
ISBN: 9783319924717
Standard No.: 10.1007/978-3-319-92471-7doiSubjects--Topical Terms:
1115695
Popular Culture.
LC Class. No.: HM621-656
Dewey Class. No.: 306
Performing Music History = Musicians Speak First-Hand about Music History and Performance /
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1. Introduction -- 2. Medieval and Early Modern Music -- 3. Late Baroque Music -- 4. A Clutch of Instruments -- 5. Classical and Early Romantic Music -- 6. The Romantic Piano -- 7. From Romanticism Toward Modernism -- 8. The Art of The Accompanist -- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries -- 10. On Stage And Screen -- 11. Engaging Audiences.
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Performing Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists—singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats—provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.
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