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Twenty-first-century Hollywood : = r...

Archer, Neil, (1971-)

Twenty-first-century Hollywood : = rebooting the system /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Twenty-first-century Hollywood :/ Neil Archer.
其他題名:	rebooting the system /
作者:	Archer, Neil,
面頁冊數:	1 online resource (126 p.)
標題:	Motion picture industry - California -
電子資源:	https://portal.igpublish.com/iglibrary/search/COLB0002475.html
ISBN:	9780231191593

Twenty-first-century Hollywood : = rebooting the system /
Archer, Neil,1971-

Twenty-first-century Hollywood :rebooting the system /Neil Archer. - 1 online resource (126 p.)

Includes bibliographical references and index.

Twenty-first-century Hollywood : rebooting the system -- Contents -- Acknowledgements -- Introduction: Rebooted? -- 1. Why Can’t Hollywood Rely on Flying Saucers? Industry, Audience and Franchise Logic -- 2. What Does Hollywood Really Like About Comic Books? Structure and Style in Marvel’s Cinematic Universe -- 3. Is Hollywood Saving the World, or Is the World Saving Hollywood? Industrial Authorship and Experimental Blockbusters -- 4. Why Are the Most Grown-Up Films Made for Children? Ways of Playing in the Family Film -- Filmography -- Bibliography -- Index.

Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored by producers and audiences alike.

Mode of access: World Wide Web.

ISBN: 9780231191593Subjects--Topical Terms:

659912
Motion picture industry
--CaliforniaIndex Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1993.5.U65

Dewey Class. No.: 384/.80979494

Twenty-first-century Hollywood : = rebooting the system /
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520 $a Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored by producers and audiences alike.
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