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Cinema's military industrial complex /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Cinema's military industrial complex // edited by Haidee Wasson and Lee Grieveson.
其他作者:	Wasson, Haidee,
面頁冊數:	1 online resource (397 p.)
標題:	Motion picture industry - Military aspects - United States. -
電子資源:	https://portal.igpublish.com/iglibrary/search/UCPB0001744.html
ISBN:	0520291506

Cinema's military industrial complex /
Cinema's military industrial complex /edited by Haidee Wasson and Lee Grieveson. - 1st ed. - 1 online resource (397 p.)

Includes bibliographical references and index.

Cinema’s military industrial complex -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Chapter 1: The Military’s Cinema Complex -- Part One: The Military’s Cinema Apparatus -- Chapter 2: Experimental Viewing Protocols: Film Projection and the American Military -- Chapter 3: Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II -- Chapter 4: Through America’s Eyes: Cinerama and the Cold War -- Chapter 5: An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition -- Part Two: Strategies of Viewing -- Chapter 6: War in Peace: The American Legion and the Continuing Service of Film -- Chapter 7: Managing the Trauma of Labor: Military Psychiatric Cinema in World War II -- Chapter 8: The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II -- Chapter 9: Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency -- Part Three: Military-Made Movies -- Chapter 10: Between the Front Lines: Military Training Films, Machine Guns, and the Great War -- Chapter 11: From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary -- Chapter 12: Framing the Bomb in the West: The View from Lookout Mountain -- Chapter 13: Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948 -- Chapter 14: Shots Made around the World: DASPO’s Documentation of the Vietnam War -- Part Four: The Military and Its Collaborators -- Chapter 15: War, Media, and the Security of State and Capital -- Chapter 16: Star Testimonies: World War and the Cultural Politics of Authority -- Chapter 17: "A Treacherous Tightrope": The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe -- Chapter 18: "A Campaign of Truth": Marshall Plan Films in Greece -- Bibliography -- List of Contributors -- Index.

The vast and influential American military has been aided and abetted by cinema since the earliest days of the medium. The army, navy, and air force put films to work in myriad ways, enlisting them to entertain, train, and heal soldiers as well as to propagandize, strategize, spy, map, and develop weapons, from rifles to atomic bombs. Presenting new essays based on archival research, Cinema’s Military Industrial Complex addresses the relationship of military cinema to Hollywood, technological innovation, new modes of filmmaking, unique film styles and genres, and the rise of American soft power across the long twentieth century. This rich and timely volume is essential for scholars interested in the military’s use of media and the exercise of influence within and beyond American borders.

Mode of access: World Wide Web.

ISBN: 0520291506Subjects--Topical Terms:

1292413
Motion picture industry
--Military aspects--United States.Index Terms--Genre/Form:

554714
Electronic books.

LC Class. No.: PN1993.5.U6

Dewey Class. No.: 384.80973

Cinema's military industrial complex /
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505 0 $a Cinema’s military industrial complex -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Chapter 1: The Military’s Cinema Complex -- Part One: The Military’s Cinema Apparatus -- Chapter 2: Experimental Viewing Protocols: Film Projection and the American Military -- Chapter 3: Mobilizing the Moving Image: Movie Machines at US Military Bases and Veterans’ Hospitals during World War II -- Chapter 4: Through America’s Eyes: Cinerama and the Cold War -- Chapter 5: An Army of Theaters: Military, Technological, and Industrial Change in US Army Motion-Picture Exhibition -- Part Two: Strategies of Viewing -- Chapter 6: War in Peace: The American Legion and the Continuing Service of Film -- Chapter 7: Managing the Trauma of Labor: Military Psychiatric Cinema in World War II -- Chapter 8: The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II -- Chapter 9: Epistemology of the Checkpoint: Gillo Pontecorvo’s Battle of Algiers and the Doctrine of Counterinsurgency -- Part Three: Military-Made Movies -- Chapter 10: Between the Front Lines: Military Training Films, Machine Guns, and the Great War -- Chapter 11: From Wartime Instruction to Superpower Cinema: Maintaining the Military-Industrial Documentary -- Chapter 12: Framing the Bomb in the West: The View from Lookout Mountain -- Chapter 13: Occupation, Diplomacy, and the Moving Image: The US Army as Cultural Interlocutor in Korea, 1945–1948 -- Chapter 14: Shots Made around the World: DASPO’s Documentation of the Vietnam War -- Part Four: The Military and Its Collaborators -- Chapter 15: War, Media, and the Security of State and Capital -- Chapter 16: Star Testimonies: World War and the Cultural Politics of Authority -- Chapter 17: "A Treacherous Tightrope": The Office of War Information, Psychological Warfare, and Film Distribution in Liberated Europe -- Chapter 18: "A Campaign of Truth": Marshall Plan Films in Greece -- Bibliography -- List of Contributors -- Index.
520 $a The vast and influential American military has been aided and abetted by cinema since the earliest days of the medium. The army, navy, and air force put films to work in myriad ways, enlisting them to entertain, train, and heal soldiers as well as to propagandize, strategize, spy, map, and develop weapons, from rifles to atomic bombs. Presenting new essays based on archival research, Cinema’s Military Industrial Complex addresses the relationship of military cinema to Hollywood, technological innovation, new modes of filmmaking, unique film styles and genres, and the rise of American soft power across the long twentieth century. This rich and timely volume is essential for scholars interested in the military’s use of media and the exercise of influence within and beyond American borders.
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650 0 $a War films $z United States $x History and criticism. $3 646508
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