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Harmony in Beethoven

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Harmony in Beethoven/ David Damschroder.
作者:	Damschroder, David.
出版者:	Cambridge :Cambridge University Press, : 2016.,
面頁冊數:	xiii, 292 p. :digital ; : 24 cm.;
附註:	Title from publisher's bibliographic system (viewed on 08 Mar 2016).
標題:	Harmony. -
電子資源:	https://doi.org/10.1017/CBO9781316471043
ISBN:	9781316471043

Harmony in Beethoven
Damschroder, David.

Harmony in Beethoven[electronic resource] /David Damschroder. - Cambridge :Cambridge University Press,2016. - xiii, 292 p. :digital ;24 cm.

Title from publisher's bibliographic system (viewed on 08 Mar 2016).

David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.

ISBN: 9781316471043Subjects--Personal Names:

870100
Beethoven, Ludwig van,
1770-1827--Criticism and interpretation.Subjects--Topical Terms:

800421
Harmony.

LC Class. No.: ML410.B42 / D37 2016

Dewey Class. No.: 786.2092

Harmony in Beethoven
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520 $a David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
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