國立虎尾科技大學 |

Youth and Permissive Social Change in British Music Papers, 1967–1983

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Youth and Permissive Social Change in British Music Papers, 1967–1983/ by Patrick Glen.
Author:	Glen, Patrick.
Description:	VII, 251 p.online resource. :
Contained By:	Springer Nature eBook
Subject:	Civilization—History. -
Online resource:	https://doi.org/10.1007/978-3-319-91674-3
ISBN:	9783319916743

Youth and Permissive Social Change in British Music Papers, 1967–1983
Glen, Patrick.

Youth and Permissive Social Change in British Music Papers, 1967–1983[electronic resource] /by Patrick Glen. - 1st ed. 2019. - VII, 251 p.online resource. - Palgrave Studies in the History of Subcultures and Popular Music,2730-9517. - Palgrave Studies in the History of Subcultures and Popular Music,.

1. Introduction: A Sea of Possibilities -- 2. Hungry Freaks, Well-fed Entertainers: Something Different in the Music Press -- 3.This is the Beginning of a New Age: New Papers, New Editors and the Underground -- 4. ‘Obligatory Cosmopolitan Musical Viewpoint’?: Gender and Sexuality in the 1970s Music Press -- 5. ‘The Titanic Sails at Dawn’: Punk Papers, Class, Youth and Deviance -- 6. ‘Too Much Paranoias?’: The Beginning of the End for the Inkies -- 7. Conclusions: Goodnight to the Rock and Roll Era?.

This book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millions every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. By analysing music papers and oral history interviews with journalists and editors, Patrick Glen examines how papers represented a lucrative entertainment industry and mass press that had to negotiate tensions between alternative sentiments and commercial prerogatives. This book demonstrates, as a consequence, how music papers constructed political positions, public identities and social mores within the context of the market. As a result, descriptions and experiences of social change and youth were contingent on the understandings of class, gender, sexuality, race and locality. .

ISBN: 9783319916743

Standard No.: 10.1007/978-3-319-91674-3doiSubjects--Topical Terms:

1254101
Civilization—History.

LC Class. No.: CB3-481

Dewey Class. No.: 306.09

Youth and Permissive Social Change in British Music Papers, 1967–1983
LDR:02835nam a22003975i 4500 001 1003594
003 DE-He213
005 20201103011319.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783319916743 $9 978-3-319-91674-3
024 7 $a 10.1007/978-3-319-91674-3 $2 doi
035 $a 978-3-319-91674-3
050 4 $a CB3-481
072 7 $a HBTB $2 bicssc
072 7 $a HIS054000 $2 bisacsh
072 7 $a NHTB $2 thema
082 0 4 $a 306.09 $2 23
100 1 $a Glen, Patrick. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1296986
245 1 0 $a Youth and Permissive Social Change in British Music Papers, 1967–1983 $h [electronic resource] / $c by Patrick Glen.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a VII, 251 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
490 1 $a Palgrave Studies in the History of Subcultures and Popular Music, $x 2730-9517
505 0 $a 1. Introduction: A Sea of Possibilities -- 2. Hungry Freaks, Well-fed Entertainers: Something Different in the Music Press -- 3.This is the Beginning of a New Age: New Papers, New Editors and the Underground -- 4. ‘Obligatory Cosmopolitan Musical Viewpoint’?: Gender and Sexuality in the 1970s Music Press -- 5. ‘The Titanic Sails at Dawn’: Punk Papers, Class, Youth and Deviance -- 6. ‘Too Much Paranoias?’: The Beginning of the End for the Inkies -- 7. Conclusions: Goodnight to the Rock and Roll Era?.
520 $a This book is a work of press history that considers how the music press represented permissive social change for their youthful readership. Read by millions every week, the music press provided young people across the country with a guide to the sounds, personalities and controversies that shaped British popular music and, more broadly, British culture and society. By analysing music papers and oral history interviews with journalists and editors, Patrick Glen examines how papers represented a lucrative entertainment industry and mass press that had to negotiate tensions between alternative sentiments and commercial prerogatives. This book demonstrates, as a consequence, how music papers constructed political positions, public identities and social mores within the context of the market. As a result, descriptions and experiences of social change and youth were contingent on the understandings of class, gender, sexuality, race and locality. .
650 0 $a Civilization—History. $3 1254101
650 0 $a Great Britain—History. $3 1254150
650 0 $a Social history. $3 559581
650 0 $a Europe—History—1492-. $3 1259086
650 0 $a Printing. $3 599714
650 0 $a Publishers and publishing. $3 572437
650 1 4 $a Cultural History. $3 1106960
650 2 4 $a History of Britain and Ireland. $3 1104889
650 2 4 $a Social History. $3 1104891
650 2 4 $a History of Modern Europe. $3 1109195
650 2 4 $a Printing and Publishing. $3 669578
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319916736
776 0 8 $i Printed edition: $z 9783319916750
830 0 $a Palgrave Studies in the History of Subcultures and Popular Music, $x 2730-9517 $3 1270163
856 4 0 $u https://doi.org/10.1007/978-3-319-91674-3
912 $a ZDB-2-HTY
912 $a ZDB-2-SXH
950 $a History (SpringerNature-41172)
950 $a History (R0) (SpringerNature-43722)