國立虎尾科技大學 |

Critical Essays on Twin Peaks: The Return

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Critical Essays on Twin Peaks: The Return/ edited by Antonio Sanna.
其他作者:	Sanna, Antonio.
面頁冊數:	XV, 302 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
標題:	Popular Culture. -
電子資源:	https://doi.org/10.1007/978-3-030-04798-6
ISBN:	9783030047986

Critical Essays on Twin Peaks: The Return
Critical Essays on Twin Peaks: The Return[electronic resource] /edited by Antonio Sanna. - 1st ed. 2019. - XV, 302 p. 1 illus.online resource.

Part I. In the Real World: History, Technology and Fandom -- 1. Entering the World of Twin Peaks (Antonio Sanna) -- 2. Is It Happening Again? Twin Peaks and ‘The Return’ of History (Matthew Ellis and Tyler Theus) -- 3. Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin PeaksUniverse (Elizabeth Lowry) -- 4. Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and its Fan Communities (Jeffrey Fallis and T. Kyle King) -- 5. ‘The owls are not what they meme’: Making Sense of Twin Peaks with Internet Memes (Brigid Cherry) -- 6. ‘Is it about the bunny? No, it’s not about the bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences (David McAvoy) -- Part II. In the Lodges: Subjectivity and (Un)Realism -- 7. ‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return (Thomas Britt) -- 8. ‘My Log has a Message For You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity (Anthony Ballas) -- 9. ‘Here’s to the pie that saved your life, Dougie:’ The Weird Realism of Twin Peaks (Ryan Coogan) -- 10. Movement in the Box: The Production of Surreal Social Space and the Alienated Body (Joel Hawkes) -- 11. How Mark Frost’s Twin Peaks Books Clarify and Confound the Nature of Reality (Donald McCarthy) -- 12. Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of Twin Peaks (Kwasu David Tembo) -- Part III. Inside the Psyche: Trauma, Dreams and Music -- 13. From Lost Highway to Twin Peaks: Representations of Trauma and Transformation in Lynch’s Late Works (Timothy William Galow) -- 14. Kafka’s Crime Film: Twin Peaks: The Return and the Brotherhood of Lynch and Kafka (Adam Daniel) -- 15. Who is the Dreamer? (Michael Potter and Cam Cobb) -- 16. Is it the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portent in Twin Peaks’ Season Three (Andrew T. Burt) -- 17. ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return (Kingsley Marshall and Rupert Loydell) -- 18. ‘I’ll point you to a better time/A safer place to be’: Music, Nostalgia and Estrangement in Twin Peaks: The Return (David Sweeney).

“Critical Essays on Twin Peaks: The Return sets the bar for critical engagement with 2017’s revival of the seminal cult TV series. Sanna brings together eighteen new analyses that explore David Lynch and Mark Frost’s reboot of Twin Peaks from a multitude of perspectives, from a Lacanian reading of its use of doubles through a study of how the owls are not what they meme, looking at Twin Peaks-inspired internet memes. Scholars and fans alike will find much that is illuminating and much to debate in this welcome volume.” —Dominick Grace, Professor of English, Brescia University College, Canada This edited collection offers an interdisciplinary study of Twin Peaks: The Return, the third season of a TV program that has attracted the attention (and appreciation) of spectators, fans, and critics for over two decades. The book takes readers into several distinct areas and addresses the different approaches and the range of topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural, and the personal. The eighteen chapters constituting the volume are academic in their approach to the subject and in their methodology, whether they apply a historical, psychoanalytical, film studies, or gender studies perspective to the text under examination. The variety and range of perspectives in these aforementioned chapters reflect the belief that a study of the full complexity of Twin Peaks: The Return, as well as a timely assessment of the critical importance of the program, requires both an interdisciplinary perspective and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture. Antonio Sanna completed his PhD at the University of Westminster, UK. He has published over sixty essays and reviews in international journals and in a variety of edited collections. He is co-editor (with Adam Barkman) of A Critical Companion to Tim Burton (2017) and A Critical Companion to James Cameron (2018), and editor of Pirates in History and Popular Culture (2018).

ISBN: 9783030047986

Standard No.: 10.1007/978-3-030-04798-6doiSubjects--Topical Terms:

1115695
Popular Culture.

LC Class. No.: HM621-656

Dewey Class. No.: 306

Critical Essays on Twin Peaks: The Return
LDR:05759nam a22003855i 4500 001 1003663
003 DE-He213
005 20200629133830.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030047986 $9 978-3-030-04798-6
024 7 $a 10.1007/978-3-030-04798-6 $2 doi
035 $a 978-3-030-04798-6
050 4 $a HM621-656
072 7 $a JFCA $2 bicssc
072 7 $a SOC022000 $2 bisacsh
072 7 $a JBCC1 $2 thema
082 0 4 $a 306 $2 23
245 1 0 $a Critical Essays on Twin Peaks: The Return $h [electronic resource] / $c edited by Antonio Sanna.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XV, 302 p. 1 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a Part I. In the Real World: History, Technology and Fandom -- 1. Entering the World of Twin Peaks (Antonio Sanna) -- 2. Is It Happening Again? Twin Peaks and ‘The Return’ of History (Matthew Ellis and Tyler Theus) -- 3. Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin PeaksUniverse (Elizabeth Lowry) -- 4. Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and its Fan Communities (Jeffrey Fallis and T. Kyle King) -- 5. ‘The owls are not what they meme’: Making Sense of Twin Peaks with Internet Memes (Brigid Cherry) -- 6. ‘Is it about the bunny? No, it’s not about the bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences (David McAvoy) -- Part II. In the Lodges: Subjectivity and (Un)Realism -- 7. ‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return (Thomas Britt) -- 8. ‘My Log has a Message For You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity (Anthony Ballas) -- 9. ‘Here’s to the pie that saved your life, Dougie:’ The Weird Realism of Twin Peaks (Ryan Coogan) -- 10. Movement in the Box: The Production of Surreal Social Space and the Alienated Body (Joel Hawkes) -- 11. How Mark Frost’s Twin Peaks Books Clarify and Confound the Nature of Reality (Donald McCarthy) -- 12. Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of Twin Peaks (Kwasu David Tembo) -- Part III. Inside the Psyche: Trauma, Dreams and Music -- 13. From Lost Highway to Twin Peaks: Representations of Trauma and Transformation in Lynch’s Late Works (Timothy William Galow) -- 14. Kafka’s Crime Film: Twin Peaks: The Return and the Brotherhood of Lynch and Kafka (Adam Daniel) -- 15. Who is the Dreamer? (Michael Potter and Cam Cobb) -- 16. Is it the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portent in Twin Peaks’ Season Three (Andrew T. Burt) -- 17. ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return (Kingsley Marshall and Rupert Loydell) -- 18. ‘I’ll point you to a better time/A safer place to be’: Music, Nostalgia and Estrangement in Twin Peaks: The Return (David Sweeney).
520 $a “Critical Essays on Twin Peaks: The Return sets the bar for critical engagement with 2017’s revival of the seminal cult TV series. Sanna brings together eighteen new analyses that explore David Lynch and Mark Frost’s reboot of Twin Peaks from a multitude of perspectives, from a Lacanian reading of its use of doubles through a study of how the owls are not what they meme, looking at Twin Peaks-inspired internet memes. Scholars and fans alike will find much that is illuminating and much to debate in this welcome volume.” —Dominick Grace, Professor of English, Brescia University College, Canada This edited collection offers an interdisciplinary study of Twin Peaks: The Return, the third season of a TV program that has attracted the attention (and appreciation) of spectators, fans, and critics for over two decades. The book takes readers into several distinct areas and addresses the different approaches and the range of topics invited by the multidimensionality of the subject itself: the philosophical, the artistic, the socio-cultural, and the personal. The eighteen chapters constituting the volume are academic in their approach to the subject and in their methodology, whether they apply a historical, psychoanalytical, film studies, or gender studies perspective to the text under examination. The variety and range of perspectives in these aforementioned chapters reflect the belief that a study of the full complexity of Twin Peaks: The Return, as well as a timely assessment of the critical importance of the program, requires both an interdisciplinary perspective and the fusion of different intellectual approaches across genres. The chapters demonstrate a collective awareness of the TV series as a fundamental milestone in contemporary culture. Antonio Sanna completed his PhD at the University of Westminster, UK. He has published over sixty essays and reviews in international journals and in a variety of edited collections. He is co-editor (with Adam Barkman) of A Critical Companion to Tim Burton (2017) and A Critical Companion to James Cameron (2018), and editor of Pirates in History and Popular Culture (2018).
650 0 $a Popular Culture. $3 1115695
650 0 $a Film genres. $3 656792
650 0 $a Motion pictures. $3 562481
650 1 4 $a Popular Culture . $3 1267872
650 2 4 $a Genre. $3 1108142
650 2 4 $a Close Reading. $3 1172203
650 2 4 $a Film/TV Industry. $3 1116367
700 1 $a Sanna, Antonio. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1297058
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030047979
776 0 8 $i Printed edition: $z 9783030047993
856 4 0 $u https://doi.org/10.1007/978-3-030-04798-6
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)