Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
The Ethics of Witness = Dailiness an...
~
Cai, Xiao.
The Ethics of Witness = Dailiness and History in Hou Hsiao-hsien’s Films /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
The Ethics of Witness/ by Xiao Cai.
Reminder of title:
Dailiness and History in Hou Hsiao-hsien’s Films /
Author:
Cai, Xiao.
Description:
XV, 262 p. 174 illus., 102 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Cultural studies. -
Online resource:
https://doi.org/10.1007/978-981-13-2170-2
ISBN:
9789811321702
The Ethics of Witness = Dailiness and History in Hou Hsiao-hsien’s Films /
Cai, Xiao.
The Ethics of Witness
Dailiness and History in Hou Hsiao-hsien’s Films /[electronic resource] :by Xiao Cai. - 1st ed. 2019. - XV, 262 p. 174 illus., 102 illus. in color.online resource.
Hou Hsiao-hsien: Films and Reading -- A Poetics of Time: the Representation of Daily Life -- Remapping Taiwan: Space as a Time Monument -- The Poetics of Memory and Mourning -- The Poetics of the Ordinary in Representation of History.
This book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien’s movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien’s films.
ISBN: 9789811321702
Standard No.: 10.1007/978-981-13-2170-2doiSubjects--Topical Terms:
809557
Cultural studies.
LC Class. No.: HM623
Dewey Class. No.: 306
The Ethics of Witness = Dailiness and History in Hou Hsiao-hsien’s Films /
LDR
:02571nam a22003975i 4500
001
1003976
003
DE-He213
005
20200705084213.0
007
cr nn 008mamaa
008
210106s2019 si | s |||| 0|eng d
020
$a
9789811321702
$9
978-981-13-2170-2
024
7
$a
10.1007/978-981-13-2170-2
$2
doi
035
$a
978-981-13-2170-2
050
4
$a
HM623
072
7
$a
JFC
$2
bicssc
072
7
$a
SOC026000
$2
bisacsh
072
7
$a
JBCC
$2
thema
082
0 4
$a
306
$2
23
100
1
$a
Cai, Xiao.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1297351
245
1 4
$a
The Ethics of Witness
$h
[electronic resource] :
$b
Dailiness and History in Hou Hsiao-hsien’s Films /
$c
by Xiao Cai.
250
$a
1st ed. 2019.
264
1
$a
Singapore :
$b
Springer Singapore :
$b
Imprint: Springer,
$c
2019.
300
$a
XV, 262 p. 174 illus., 102 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
Hou Hsiao-hsien: Films and Reading -- A Poetics of Time: the Representation of Daily Life -- Remapping Taiwan: Space as a Time Monument -- The Poetics of Memory and Mourning -- The Poetics of the Ordinary in Representation of History.
520
$a
This book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien’s movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien’s films.
650
0
$a
Cultural studies.
$2
bicssc
$3
809557
650
0
$a
Communication.
$3
556422
650
0
$a
Sociology.
$3
551705
650
1 4
$a
Cultural Studies.
$3
891488
650
2 4
$a
Media Research.
$3
1019957
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9789811321696
776
0 8
$i
Printed edition:
$z
9789811321719
776
0 8
$i
Printed edition:
$z
9789811347429
856
4 0
$u
https://doi.org/10.1007/978-981-13-2170-2
912
$a
ZDB-2-SLS
912
$a
ZDB-2-SXS
950
$a
Social Sciences (SpringerNature-41176)
950
$a
Social Sciences (R0) (SpringerNature-43726)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login