Language:
English
繁體中文
Help
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Cinematic Intermedialities and Conte...
~
Walden, Victoria Grace.
Cinematic Intermedialities and Contemporary Holocaust Memory
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Cinematic Intermedialities and Contemporary Holocaust Memory/ by Victoria Grace Walden.
Author:
Walden, Victoria Grace.
Description:
IX, 217 p. 96 illus., 95 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Motion pictures—European influences. -
Online resource:
https://doi.org/10.1007/978-3-030-10877-9
ISBN:
9783030108779
Cinematic Intermedialities and Contemporary Holocaust Memory
Walden, Victoria Grace.
Cinematic Intermedialities and Contemporary Holocaust Memory
[electronic resource] /by Victoria Grace Walden. - 1st ed. 2019. - IX, 217 p. 96 illus., 95 illus. in color.online resource.
1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .
ISBN: 9783030108779
Standard No.: 10.1007/978-3-030-10877-9doiSubjects--Topical Terms:
1255460
Motion pictures—European influences.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4094
Cinematic Intermedialities and Contemporary Holocaust Memory
LDR
:02650nam a22003855i 4500
001
1004792
003
DE-He213
005
20200705225712.0
007
cr nn 008mamaa
008
210106s2019 gw | s |||| 0|eng d
020
$a
9783030108779
$9
978-3-030-10877-9
024
7
$a
10.1007/978-3-030-10877-9
$2
doi
035
$a
978-3-030-10877-9
050
4
$a
PN1993-1999
072
7
$a
AP
$2
bicssc
072
7
$a
PER000000
$2
bisacsh
072
7
$a
AT
$2
thema
082
0 4
$a
791.4094
$2
23
100
1
$a
Walden, Victoria Grace.
$e
author.
$4
aut
$4
http://id.loc.gov/vocabulary/relators/aut
$3
1298302
245
1 0
$a
Cinematic Intermedialities and Contemporary Holocaust Memory
$h
[electronic resource] /
$c
by Victoria Grace Walden.
250
$a
1st ed. 2019.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
IX, 217 p. 96 illus., 95 illus. in color.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1. Introduction -- 2. Holocaust Film Beyond Representation -- 3. The Archive, Assemblage and Archaeology -- 4. Animation, Assemblage, the Affection-Form -- 5. Digital Augmentation, Assemblage, the Actual and the Virtual -- 6. Epilogue.
520
$a
This book explores the growing trend of intermediality in cinematic representations of the Holocaust. It turns to the in-betweens that characterise the cinematic experience to discover how the different elements involved in film and its viewing collaborate to produce Holocaust memory. Cinematic Intermedialities is a work of film-philosophy that places a number of different forms of screen media, such as films that reassemble archive footage, animations, apps and museum installations, in dialogue with the writing of Deleuze and Guattari, art critic-cum-philosopher Georges Didi-Huberman and film phenomenologies. The result is a careful and unique examination of how Holocaust memory can emerge from the relationship between different media, objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .
650
0
$a
Motion pictures—European influences.
$3
1255460
650
0
$a
World War, 1939-1945.
$3
653953
650
0
$a
Historiography.
$3
567663
650
1 4
$a
European Cinema and TV.
$3
1211764
650
2 4
$a
History of World War II and the Holocaust.
$3
1104954
650
2 4
$a
Memory Studies.
$3
1110464
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030108762
776
0 8
$i
Printed edition:
$z
9783030108786
856
4 0
$u
https://doi.org/10.1007/978-3-030-10877-9
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
based on 0 review(s)
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login