語系:
繁體中文
English
說明(常見問題)
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
'Bad' Women of Bombay Films = Studie...
~
Purkayastha, Sharmila.
'Bad' Women of Bombay Films = Studies in Desire and Anxiety /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
'Bad' Women of Bombay Films/ edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha.
其他題名:
Studies in Desire and Anxiety /
其他作者:
Sengupta, Saswati.
面頁冊數:
XX, 381 p. 8 illus.online resource. :
Contained By:
Springer Nature eBook
標題:
Motion pictures—Asia. -
電子資源:
https://doi.org/10.1007/978-3-030-26788-9
ISBN:
9783030267889
'Bad' Women of Bombay Films = Studies in Desire and Anxiety /
'Bad' Women of Bombay Films
Studies in Desire and Anxiety /[electronic resource] :edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha. - 1st ed. 2019. - XX, 381 p. 8 illus.online resource.
1. Introduction: Breaking Bad -- The Disorderly Presence at Home -- 2. Desire, Deviancy and Defiance in Bombay Cinema (1937-1960) -- 3. “haan, haan mein alaida hoon!” (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962) -- 4. The Goddess of Mean Things: the Mother-in-law in Hindi Films -- 5. “ek admi tha, usne shadi karli!” (“There was a man who got married!”): Female Agency and Domestication in Omkara (2006) -- The Business of the Body -- 6. The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966) -- 7. Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015) -- 8. The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s -- 9. Guns, Gangsters and “Gandagi”: the Moll in Hindi Cinema -- 10. Sex Workers in Hindi Cinema: Imagos and Realities -- The Question of Violence -- 11. The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963) -- 12. “itni bhhi mahaan main nahi hoon, raja!” (“I’m not that great, O king”): the Angry Young Woman of the 1970s -- 13. Outcast[e] / Outlawed: The Bandit Queen (1996) -- 14. The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s -- 15. Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015) -- The Advent of the New Woman -- 16. Of Pallus and Pants: Fabricating the New Woman of the New Nation -- Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955) -- 17. Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011) -- 18. Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014) -- 19. Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018) -- The Screening of the Actress -- 20. “naye naam nit naye roop dhar” (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema -- 21. Playing Anaarkali: Gender, Morality and Erotica. .
This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term ‘bad’ is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate. .
ISBN: 9783030267889
Standard No.: 10.1007/978-3-030-26788-9doiSubjects--Topical Terms:
1254171
Motion pictures—Asia.
LC Class. No.: PN1993-1999
Dewey Class. No.: 791.4095
'Bad' Women of Bombay Films = Studies in Desire and Anxiety /
LDR
:04573nam a22003975i 4500
001
1005572
003
DE-He213
005
20200630140945.0
007
cr nn 008mamaa
008
210106s2019 gw | s |||| 0|eng d
020
$a
9783030267889
$9
978-3-030-26788-9
024
7
$a
10.1007/978-3-030-26788-9
$2
doi
035
$a
978-3-030-26788-9
050
4
$a
PN1993-1999
072
7
$a
AP
$2
bicssc
072
7
$a
PER000000
$2
bisacsh
072
7
$a
AT
$2
thema
082
0 4
$a
791.4095
$2
23
245
1 0
$a
'Bad' Women of Bombay Films
$h
[electronic resource] :
$b
Studies in Desire and Anxiety /
$c
edited by Saswati Sengupta, Shampa Roy, Sharmila Purkayastha.
250
$a
1st ed. 2019.
264
1
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
XX, 381 p. 8 illus.
$b
online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
347
$a
text file
$b
PDF
$2
rda
505
0
$a
1. Introduction: Breaking Bad -- The Disorderly Presence at Home -- 2. Desire, Deviancy and Defiance in Bombay Cinema (1937-1960) -- 3. “haan, haan mein alaida hoon!” (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962) -- 4. The Goddess of Mean Things: the Mother-in-law in Hindi Films -- 5. “ek admi tha, usne shadi karli!” (“There was a man who got married!”): Female Agency and Domestication in Omkara (2006) -- The Business of the Body -- 6. The Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941; Chitralekha, 1964; Amrapali, 1966) -- 7. Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015) -- 8. The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s -- 9. Guns, Gangsters and “Gandagi”: the Moll in Hindi Cinema -- 10. Sex Workers in Hindi Cinema: Imagos and Realities -- The Question of Violence -- 11. The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963) -- 12. “itni bhhi mahaan main nahi hoon, raja!” (“I’m not that great, O king”): the Angry Young Woman of the 1970s -- 13. Outcast[e] / Outlawed: The Bandit Queen (1996) -- 14. The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s -- 15. Honoured Mother and ‘Honour’ Killing: Ammaji in NH10 (2015) -- The Advent of the New Woman -- 16. Of Pallus and Pants: Fabricating the New Woman of the New Nation -- Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955) -- 17. Consumer Pleasures and Hindi Cinema’s En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011) -- 18. Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014) -- 19. Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018) -- The Screening of the Actress -- 20. “naye naam nit naye roop dhar” (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema -- 21. Playing Anaarkali: Gender, Morality and Erotica. .
520
$a
This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term ‘bad’ is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate. .
650
0
$a
Motion pictures—Asia.
$3
1254171
650
0
$a
Culture.
$3
556041
650
0
$a
Gender.
$3
1214940
650
0
$a
Motion pictures.
$3
562481
650
0
$a
Ethnology—Asia.
$3
1254172
650
1 4
$a
Asian Cinema and TV.
$3
1227744
650
2 4
$a
Culture and Gender.
$3
1117475
650
2 4
$a
Global Cinema and TV.
$3
1211300
650
2 4
$a
Asian Culture.
$3
1107945
650
2 4
$a
Global/International Culture.
$3
1115696
700
1
$a
Sengupta, Saswati.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1299017
700
1
$a
Roy, Shampa.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1142649
700
1
$a
Purkayastha, Sharmila.
$e
editor.
$4
edt
$4
http://id.loc.gov/vocabulary/relators/edt
$3
1299018
710
2
$a
SpringerLink (Online service)
$3
593884
773
0
$t
Springer Nature eBook
776
0 8
$i
Printed edition:
$z
9783030267872
776
0 8
$i
Printed edition:
$z
9783030267896
776
0 8
$i
Printed edition:
$z
9783030267902
856
4 0
$u
https://doi.org/10.1007/978-3-030-26788-9
912
$a
ZDB-2-LCM
912
$a
ZDB-2-SXL
950
$a
Literature, Cultural and Media Studies (SpringerNature-41173)
950
$a
Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
筆 0 讀者評論
多媒體
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼[密碼必須為2種組合(英文和數字)及長度為10碼以上]
登入