國立虎尾科技大學 |

Heidegger and Future Presencing (The Black Pages)

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Heidegger and Future Presencing (The Black Pages)/ by Spencer Golub.
Author:	Golub, Spencer.
Description:	VII, 258 p. 1 illus.online resource. :
Contained By:	Springer Nature eBook
Subject:	Existentialism. -
Online resource:	https://doi.org/10.1007/978-3-030-31889-5
ISBN:	9783030318895

Heidegger and Future Presencing (The Black Pages)
Golub, Spencer.

Heidegger and Future Presencing (The Black Pages)[electronic resource] /by Spencer Golub. - 1st ed. 2019. - VII, 258 p. 1 illus.online resource.

1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time’s Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being).

“Golub’s novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields.” –Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.

ISBN: 9783030318895

Standard No.: 10.1007/978-3-030-31889-5doiSubjects--Topical Terms:

555525
Existentialism.

LC Class. No.: B819

Dewey Class. No.: 142.78

Heidegger and Future Presencing (The Black Pages)
LDR:02759nam a22003975i 4500 001 1006185
003 DE-He213
005 20200701031228.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030318895 $9 978-3-030-31889-5
024 7 $a 10.1007/978-3-030-31889-5 $2 doi
035 $a 978-3-030-31889-5
050 4 $a B819
072 7 $a HPCF3 $2 bicssc
072 7 $a PHI006000 $2 bisacsh
072 7 $a QDHR5 $2 thema
082 0 4 $a 142.78 $2 23
100 1 $a Golub, Spencer. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1297796
245 1 0 $a Heidegger and Future Presencing (The Black Pages) $h [electronic resource] / $c by Spencer Golub.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a VII, 258 p. 1 illus. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time’s Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being).
520 $a “Golub’s novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields.” –Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.
650 0 $a Existentialism. $3 555525
650 0 $a Experimental films. $3 1299680
650 0 $a Performing arts. $3 556749
650 2 4 $a Experimental Film. $3 1299681
650 2 4 $a Performing Arts. $3 670086
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030318888
776 0 8 $i Printed edition: $z 9783030318901
776 0 8 $i Printed edition: $z 9783030318918
856 4 0 $u https://doi.org/10.1007/978-3-030-31889-5
912 $a ZDB-2-REP
912 $a ZDB-2-SXPR
950 $a Religion and Philosophy (SpringerNature-41175)
950 $a Philosophy and Religion (R0) (SpringerNature-43725)