國立虎尾科技大學 |

A Post-Nationalist History of Television in Ireland

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	A Post-Nationalist History of Television in Ireland/ by Edward Brennan.
作者:	Brennan, Edward.
面頁冊數:	XV, 235 p. 9 illus., 6 illus. in color.online resource. :
Contained By:	Springer Nature eBook
標題:	Motion pictures and television. -
電子資源:	https://doi.org/10.1007/978-3-319-96860-5
ISBN:	9783319968605

A Post-Nationalist History of Television in Ireland
Brennan, Edward.

A Post-Nationalist History of Television in Ireland[electronic resource] /by Edward Brennan. - 1st ed. 2019. - XV, 235 p. 9 illus., 6 illus. in color.online resource.

1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global. .

This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global. .

ISBN: 9783319968605

Standard No.: 10.1007/978-3-319-96860-5doiSubjects--Topical Terms:

839765
Motion pictures and television.

LC Class. No.: PN1992.63

Dewey Class. No.: 791.4

A Post-Nationalist History of Television in Ireland
LDR:02806nam a22003855i 4500 001 1006737
003 DE-He213
005 20200629202535.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783319968605 $9 978-3-319-96860-5
024 7 $a 10.1007/978-3-319-96860-5 $2 doi
035 $a 978-3-319-96860-5
050 4 $a PN1992.63
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.4 $2 23
100 1 $a Brennan, Edward. $e author. $4 aut $4 http://id.loc.gov/vocabulary/relators/aut $3 1300365
245 1 2 $a A Post-Nationalist History of Television in Ireland $h [electronic resource] / $c by Edward Brennan.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XV, 235 p. 9 illus., 6 illus. in color. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1. How Should We Write a History of Television? -- 2. A Dominant Narrative in Irish Television History -- 3. Personal Memory and Social Power -- 4. Making Sense of Television -- 5. Memories of Imported Programmes and International Broadcasts -- 6. Time, Space and Television -- 7. Recollection and Social Status -- 8. Putting the Bishop and the Nightie to Bed -- 9. Personally Remembering the Global. .
520 $a This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global. .
650 0 $a Motion pictures and television. $3 839765
650 0 $a Great Britain—History. $3 1254150
650 0 $a Historiography. $3 567663
650 1 4 $a Screen Studies. $3 1209908
650 2 4 $a History of Britain and Ireland. $3 1104889
650 2 4 $a Memory Studies. $3 1110464
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783319968599
776 0 8 $i Printed edition: $z 9783319968612
856 4 0 $u https://doi.org/10.1007/978-3-319-96860-5
912 $a ZDB-2-LCM
912 $a ZDB-2-SXL
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)
950 $a Literature, Cultural and Media Studies (R0) (SpringerNature-43723)