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The Queer Cultures of 1930s Prose = ...
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Charteris, Charlotte.
The Queer Cultures of 1930s Prose = Language, Identity and Performance in Interwar Britain /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
The Queer Cultures of 1930s Prose/ by Charlotte Charteris.
其他題名:
Language, Identity and Performance in Interwar Britain /
作者:
Charteris, Charlotte.
面頁冊數:
IX, 285 p.online resource. :
Contained By:
Springer Nature eBook
標題:
Literature, Modern—20th century. -
電子資源:
https://doi.org/10.1007/978-3-030-02414-7
ISBN:
9783030024147
The Queer Cultures of 1930s Prose = Language, Identity and Performance in Interwar Britain /
Charteris, Charlotte.
The Queer Cultures of 1930s Prose
Language, Identity and Performance in Interwar Britain /[electronic resource] :by Charlotte Charteris. - 1st ed. 2019. - IX, 285 p.online resource.
Introduction: Language, Identity and Performance -- Part I: Christopher Isherwood and the Auden Generation -- Part II: Evelyn Waugh and the Bright Young People -- Part III: Patrick Hamilton and the Fitzrovians -- Afterword: James Hanley and the Liverpool-Irish -- Select Bibliography -- Index.
Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression.
ISBN: 9783030024147
Standard No.: 10.1007/978-3-030-02414-7doiSubjects--Topical Terms:
1254198
Literature, Modern—20th century.
LC Class. No.: PN770-779
Dewey Class. No.: 809.04
The Queer Cultures of 1930s Prose = Language, Identity and Performance in Interwar Britain /
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Introduction: Language, Identity and Performance -- Part I: Christopher Isherwood and the Auden Generation -- Part II: Evelyn Waugh and the Bright Young People -- Part III: Patrick Hamilton and the Fitzrovians -- Afterword: James Hanley and the Liverpool-Irish -- Select Bibliography -- Index.
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