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Women, Performance and the Material ...
~
Engel, Laura.
Women, Performance and the Material of Memory = The Archival Tourist, 1780–1915 /
Record Type:
Language materials, printed : Monograph/item
Title/Author:
Women, Performance and the Material of Memory/ by Laura Engel.
Reminder of title:
The Archival Tourist, 1780–1915 /
Author:
Engel, Laura.
Description:
XVI, 169 p. 24 illus., 12 illus. in color.online resource. :
Contained By:
Springer Nature eBook
Subject:
Literature—History and criticism. -
Online resource:
https://doi.org/10.1057/978-1-137-58932-3
ISBN:
9781137589323
Women, Performance and the Material of Memory = The Archival Tourist, 1780–1915 /
Engel, Laura.
Women, Performance and the Material of Memory
The Archival Tourist, 1780–1915 /[electronic resource] :by Laura Engel. - 1st ed. 2019. - XVI, 169 p. 24 illus., 12 illus. in color.online resource.
1. Introduction: The Archival Tourist -- 2. Elizabeth Inchbald's Pocket Diaries -- 3. Sir Thomas Lawrence's Portraits of the Siddons Sisters -- 4. The Countess of Blessington and Magic Lanterns -- 5. Women Artists, Silhouettes, and Waxworks -- 6. Amelia M. Watson's Photographs -- 7. Epilogue: The Sisi Experience.
This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
ISBN: 9781137589323
Standard No.: 10.1057/978-1-137-58932-3doiSubjects--Topical Terms:
1253623
Literature—History and criticism.
LC Class. No.: PN441-1009.5
Dewey Class. No.: 809
Women, Performance and the Material of Memory = The Archival Tourist, 1780–1915 /
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1. Introduction: The Archival Tourist -- 2. Elizabeth Inchbald's Pocket Diaries -- 3. Sir Thomas Lawrence's Portraits of the Siddons Sisters -- 4. The Countess of Blessington and Magic Lanterns -- 5. Women Artists, Silhouettes, and Waxworks -- 6. Amelia M. Watson's Photographs -- 7. Epilogue: The Sisi Experience.
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This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
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Literature, Cultural and Media Studies (R0) (SpringerNature-43723)
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