國立虎尾科技大學 |

The Palgrave Handbook of the Philosophy of Film and Motion Pictures

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Palgrave Handbook of the Philosophy of Film and Motion Pictures / edited by Noël Carroll, Laura T. Di Summa, Shawn Loht.
其他作者:	Carroll, Noël.
面頁冊數:	XXVI, 1061 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Aesthetics. -
電子資源:	https://doi.org/10.1007/978-3-030-19601-1
ISBN:	9783030196011

The Palgrave Handbook of the Philosophy of Film and Motion Pictures
The Palgrave Handbook of the Philosophy of Film and Motion Pictures [electronic resource] /edited by Noël Carroll, Laura T. Di Summa, Shawn Loht. - 1st ed. 2019. - XXVI, 1061 p.online resource.

1.Frank Boardman – Film Ontology: Extension, Criteria, and Candidates -- 2. Noël Carroll – Medium Specificity -- 3. Nick Wiltsher and Aaron Meskin– The Moving Image -- 4. Patrick Keating – The Art of Cinematography -- 5. Angela Curran – Silly Questions and Arguments for the Implicit, Cinematic Narrator -- 6. Patrick Keating – Narrative and the Moving Image -- 7. Karen Pearlman – On Rhythm in Film Editing -- 8. David Davies – Animation -- 9. Paloma Atencia-Linares – Sound in Film -- 10. Ted Nannicelli – What is a Screenplay? -- 11. Richard Eldridge – Analytic Philosophy of Film (Contrasted with Continental Film Theory) -- 12. John Ó Maoilearca – When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy -- 13. Shawn Loht – The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures -- 14. Espen Hammer – Ideology and Experience: The Legacy of Critical Theory -- 15. Paul Guyer – Stanley Cavell: What Becomes of People on Film? -- 16. Deborah Knight – Film Art from the Analytic Perspective -- 17. Carl Plantinga – Cognitive Theory of the Moving Image -- 18. Andrew Klevan – Aesthetic Criticism -- 19. Robert Sinnerbrink – Poststructuralism and Film -- 20. Eva M. Dadlez – Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments -- 21. Thomas E. Wartenberg – Contemporary Philosophical Filmmaking -- 22. Robert Sinnerbrink – Filmosophy/Film as Philosophy -- 23. Douglas Lackey – The Auteur Theory in the Age of the Mini-Series -- 24. Tom Gunning – The Question of Poetic Cinema -- 25. Malcolm Turvey – Avant-garde Film as Philosophy -- 26. Vitor Moura – Show and Tell: The identification of documentary film -- 27. Laura T. Di Summa – The Autobiographical Documentary -- 28. Zoë Cunliffe – Feminist Philosophy of Film -- 29. Lewis R. Gordon– Race in Film -- 30. David A. Gerstner – How Do We Look So Far? Notes Toward a Queer-Film Philosophy -- 31. Jacob M. Held – Film, Art, and Pornography -- 32. Sheryl Tuttle Ross – Propaganda and the Moving Image -- 33. Kristin Boyce – Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and Tales of Hoffmann -- 34. John Dyck – The Sonic Art of Film and the Sonic Arts in Film -- 35. Garry L. Hagberg – Adaptation, Translation, and Philosophical Investigation in Adaptation -- 36. Jonathan Gilmore – Imagination and Film -- 37. Daniel Jerónimo Tobón– Empathy and Sympathy: Two Contemporary Models of Character Engagement -- 38. Jesse J. Prinz – Affect and Motion Pictures -- 39. Nick Pappas – Psychoanalysis and the Philosophy of Film -- 40. Ted Nannicelli – The Television Medium -- 41. Jon Robson and Aaron Meskin – Video games and Film -- 42. Gal Raz – Virtual Reality as an Emerging Art Medium and its Immersive Affordances.

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.

ISBN: 9783030196011

Standard No.: 10.1007/978-3-030-19601-1doiSubjects--Topical Terms:

555008
Aesthetics.

LC Class. No.: BH1-301

Dewey Class. No.: 111.85

The Palgrave Handbook of the Philosophy of Film and Motion Pictures
LDR:05176nam a22003975i 4500 001 1011619
003 DE-He213
005 20200704105626.0
007 cr nn 008mamaa
008 210106s2019 gw | s |||| 0|eng d
020 $a 9783030196011 $9 978-3-030-19601-1
024 7 $a 10.1007/978-3-030-19601-1 $2 doi
035 $a 978-3-030-19601-1
050 4 $a BH1-301
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
072 7 $a QDTN $2 thema
082 0 4 $a 111.85 $2 23
245 1 4 $a The Palgrave Handbook of the Philosophy of Film and Motion Pictures $h [electronic resource] / $c edited by Noël Carroll, Laura T. Di Summa, Shawn Loht.
250 $a 1st ed. 2019.
264 1 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a XXVI, 1061 p. $b online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
347 $a text file $b PDF $2 rda
505 0 $a 1.Frank Boardman – Film Ontology: Extension, Criteria, and Candidates -- 2. Noël Carroll – Medium Specificity -- 3. Nick Wiltsher and Aaron Meskin– The Moving Image -- 4. Patrick Keating – The Art of Cinematography -- 5. Angela Curran – Silly Questions and Arguments for the Implicit, Cinematic Narrator -- 6. Patrick Keating – Narrative and the Moving Image -- 7. Karen Pearlman – On Rhythm in Film Editing -- 8. David Davies – Animation -- 9. Paloma Atencia-Linares – Sound in Film -- 10. Ted Nannicelli – What is a Screenplay? -- 11. Richard Eldridge – Analytic Philosophy of Film (Contrasted with Continental Film Theory) -- 12. John Ó Maoilearca – When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy -- 13. Shawn Loht – The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures -- 14. Espen Hammer – Ideology and Experience: The Legacy of Critical Theory -- 15. Paul Guyer – Stanley Cavell: What Becomes of People on Film? -- 16. Deborah Knight – Film Art from the Analytic Perspective -- 17. Carl Plantinga – Cognitive Theory of the Moving Image -- 18. Andrew Klevan – Aesthetic Criticism -- 19. Robert Sinnerbrink – Poststructuralism and Film -- 20. Eva M. Dadlez – Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments -- 21. Thomas E. Wartenberg – Contemporary Philosophical Filmmaking -- 22. Robert Sinnerbrink – Filmosophy/Film as Philosophy -- 23. Douglas Lackey – The Auteur Theory in the Age of the Mini-Series -- 24. Tom Gunning – The Question of Poetic Cinema -- 25. Malcolm Turvey – Avant-garde Film as Philosophy -- 26. Vitor Moura – Show and Tell: The identification of documentary film -- 27. Laura T. Di Summa – The Autobiographical Documentary -- 28. Zoë Cunliffe – Feminist Philosophy of Film -- 29. Lewis R. Gordon– Race in Film -- 30. David A. Gerstner – How Do We Look So Far? Notes Toward a Queer-Film Philosophy -- 31. Jacob M. Held – Film, Art, and Pornography -- 32. Sheryl Tuttle Ross – Propaganda and the Moving Image -- 33. Kristin Boyce – Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and Tales of Hoffmann -- 34. John Dyck – The Sonic Art of Film and the Sonic Arts in Film -- 35. Garry L. Hagberg – Adaptation, Translation, and Philosophical Investigation in Adaptation -- 36. Jonathan Gilmore – Imagination and Film -- 37. Daniel Jerónimo Tobón– Empathy and Sympathy: Two Contemporary Models of Character Engagement -- 38. Jesse J. Prinz – Affect and Motion Pictures -- 39. Nick Pappas – Psychoanalysis and the Philosophy of Film -- 40. Ted Nannicelli – The Television Medium -- 41. Jon Robson and Aaron Meskin – Video games and Film -- 42. Gal Raz – Virtual Reality as an Emerging Art Medium and its Immersive Affordances.
520 $a This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
650 0 $a Aesthetics. $3 555008
650 0 $a Motion pictures and television. $3 839765
650 0 $a Philosophy. $3 559771
650 0 $a Culture—Study and teaching. $3 1253505
650 2 4 $a Screen Studies. $3 1209908
650 2 4 $a Philosophy of Technology. $3 671635
650 2 4 $a Cultural Theory. $3 1108078
700 1 $a Carroll, Noël. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 799774
700 1 $a Di Summa, Laura T. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1305805
700 1 $a Loht, Shawn. $e editor. $4 edt $4 http://id.loc.gov/vocabulary/relators/edt $3 1305806
710 2 $a SpringerLink (Online service) $3 593884
773 0 $t Springer Nature eBook
776 0 8 $i Printed edition: $z 9783030196004
776 0 8 $i Printed edition: $z 9783030196028
776 0 8 $i Printed edition: $z 9783030196035
856 4 0 $u https://doi.org/10.1007/978-3-030-19601-1
912 $a ZDB-2-REP
912 $a ZDB-2-SXPR
950 $a Religion and Philosophy (SpringerNature-41175)
950 $a Philosophy and Religion (R0) (SpringerNature-43725)