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Neo-Victorianism and Sensation Fiction

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Neo-Victorianism and Sensation Fiction/ by Jessica Cox.
作者:	Cox, Jessica.
面頁冊數:	XI, 251 p.online resource. :
Contained By:	Springer Nature eBook
標題:	Literature, Modern—20th century. -
電子資源:	https://doi.org/10.1007/978-3-030-29290-4
ISBN:	9783030292904

Neo-Victorianism and Sensation Fiction
Cox, Jessica.

Neo-Victorianism and Sensation Fiction[electronic resource] /by Jessica Cox. - 1st ed. 2019. - XI, 251 p.online resource.

1. Introduction" The Victorian Sensation Novel: Afterlives and Legacies -- Part I: Reinventing Victorian Popular Fiction: Genre and Neo-Sensationalism -- 2. Neo-Gothic Sensations -- 3. Criminal Sensations: Neo-Victorian Detectives -- 4. Repackaging the Sensation Novel: Neo-Victorian Young Adult Fiction -- Part II: Neo-Sensational Tropes -- 5. (Re)Presenting (Sexual) Trauma -- 6. Excavating the Victorians: Digging Up the Past in the Neo-Sensation Novel -- 7. Sensational Legacies: Tropes of Inheritance -- 8. Conclusion: ‘Substantial Ghosts’: Sensational Continuities and Legacies.

This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.

ISBN: 9783030292904

Standard No.: 10.1007/978-3-030-29290-4doiSubjects--Topical Terms:

1254198
Literature, Modern—20th century.

LC Class. No.: PN695-779

Dewey Class. No.: 809

Neo-Victorianism and Sensation Fiction
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520 $a This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.
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